
I am a professional audio engineer with 10 years of experience in studio, live, and theatre mixing. I have worked on well over two hundred albums (ie Agnostic Front, Streetlight Manifesto, Thursday) I have mixed live sound for many acts (Blood Orange, Bob Moses) to crowds of well over 25000. I’m extremely organized and diligent.
I offer a full range of services from:
-Mastering
-Mixing
-Editing
-Recording
-Live Sound
-Event Production
Contact me through the green button above and let's get to work.
Interview with Chris Marinaccio
- Q: What do you like most about your job? 
- A: I get paid to work with musicians. 
- Q: What's the biggest misconception about what you do? 
- A: That it's simple. 
- Q: What questions do you ask prospective clients? 
- A: What do you want out of this project? How are we going to make the best possible product? 
- Q: Which artist would you like to work with and why? 
- A: Anyone who's making great music and loves what they do. 
- Q: What do you bring to a song? 
- A: Attention to detail and the ability to see the big picture 
- Q: What other musicians or music production professionals inspire you? 
- A: All my friends making their living with music. It's incredible. 
- Q: Describe the most common type of work you do for your clients. 
- A: I am mainly a live sound engineer working for Blood Orange, Bob Moses, Shallou, and Mansionair. I am also a studio engineer working with bands such as Streetlight Manifesto and Agnostic Front. 
- Q: Is there anyone on SoundBetter you know and would recommend to your clients? 
- A: Rachel Gavaletz 
- Q: Analog or digital and why? 
- A: Analog. Digital is still a long way away from being able to capture the full nuances of sound. 
- Q: What's your 'promise' to your clients? 
- A: I promise that I will be the best in your budget range. 
- Q: What advice do you have for a customer looking to hire a provider like you? 
- A: Be prepared. 
- Q: If you were on a desert island and could take just 5 pieces of gear, what would they be? 
- A: A boat and enough gas to leave. 
- Q: What was your career path? How long have you been doing this? 
- A: 16 years. Longer if you count the when I started fixing and building radios and amplifiers. 
- Q: How would you describe your style? 
- A: Sarcastically nice. I love to joke around and have a good time. Bust chops, but get work done. 
- Q: Can you share one music production tip? 
- A: No. That's why you pay me. 
- Q: What type of music do you usually work on? 
- A: Anything. I hate to get stuck working on the same genre repeatedly. 
- Q: What's your strongest skill? 
- A: My attention to detail, ability to remain calm under high pressure, my high intelligence, and my problem solving skills 
- Q: What's your typical work process? 
- A: I am very flexible. It all depends on the needs of the client. 
- Q: Tell us about your studio setup. 
- A: My setup is dependent on what your job requires. I can use anything from a laptop to a full on studio with console and tape machine. 
- Live SoundAverage price - $350 per concert
- Mixing EngineerAverage price - $150 per song
- EditingAverage price - $40 per track
- Vocal TuningAverage price - $40 per track
- Vocal compingAverage price - $40 per track
- ProducerAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
This is all dependent on your needs and will be discussed at the time of the job.
- Blood Orange
- Bob Moses
- Shallou
- Alan Smart C1
- Emperical Labs Fatso
- Emprical Labs Mike-e
- Empress ECM-519
- IGS LA500



