With my experience as producer, sound designer and composer for a wide range of projects (not only album or song based) I will bring innovation, experimentation and lots of expertise to the table. On top of this, I have access to professional recording, mixing and mastering studios which can bring any production to life!
Hello! I am a mexican, Berlin based producer, composer and sound designer. I have worked in the production, mixing and mastering of music productions such as Garrafón by Vida Ruina (2021), The Singularity by The Singularity (2020) and Pretty Little Things That Fly Away by Galar (2018).
I also have plenty of experience as composer, sound designer and mixer for film, theatre, audio fiction and other types of media. Works like Ventana Amarilla (Theatre/2021), It's Here (Audio Fiction/2021), Agonal Dreams (Audio Fiction/2021) and Hongo (Film/2021), to name a few.
This variety gives me plenty of experience for delivering a high quality production, while also allowing us to explore new grounds for innovation and exploration. Let me be the facilitator while together we craft your sound.
Send me an email through 'Contact' button above and I'll get back to you asap.
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Interview with Alexei Galar
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Ventana Amarilla. I composed original music and did sounds design for a 3 act theatre play that premiered on September 30th 2021. I am proud of successfully directing a whole team of musicians, engineers and composers, to the satisfaction of both the director and producer of the show.
Q: What are you working on at the moment?
A: A project involving spatial-generative music, and food. Yes, food.
Q: What's your 'promise' to your clients?
A: You will be surprised. And many times.
Q: What do you like most about your job?
A: The opportunity to work with different artist, with different backgrounds, and grow together.
Q: What questions do you ask prospective clients?
A: - What do you want to achieve with this (goals and business)? - What is your target audience?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Computer, interface, mic, MIDI keyboard, cables (is that cheating?)
Q: Can you share one music production tip?
A: Learn to let go. Just because you loved that one specific guitar/voice/etc part, doesn't have to mean it ends in the final recording.
Q: What's your strongest skill?
A: Being diverse. Music for media has given me the opportunity to work in a wide range of productions, from psychedelic theatre, to punk albums. Hence, I can bring innovation to the table, and expertise in trying unconventional paths.
Q: What other musicians or music production professionals inspire you?
A: Ludwig Göransson, Kevin Parker, Johnny Greenwood. These artist transcend what is music for any type of media.
Q: Describe the most common type of work you do for your clients.
A: Composing, sound design and producing pre-existing raw material.