JOHN’s Spot

Creating your next hit

JOHN’s Spot on SoundBetter

Self-taught 5 instruments so far, and counting! I also do ALL of my personal and band's music and video recordings.

I am a Scratch DJ, Session Drummer / Bassist, Remote Mix & Mastering and Video edition Nerd who goes from rap to metalcore in a click.
I also make beats using my Maschine MK2.

Wanna work your ideas without selling a kidney?

Would love to hear from you. Click the contact button above to get in touch.

Interview with JOHN’s Spot

  1. Q: Describe the most common type of work you do for your clients.

  2. A: Voice recording, instrumental composition, rap mixing and mastering, grunge rock recording and mixing, scratch cuts for rap songs

  3. Q: What other musicians or music production professionals inspire you?

  4. A: Wooof, where would I start..? Can’t really name an artist, but from Classical to Death Metal, I sure study a lot

  5. Q: What's your typical work process?

  6. A: It varies accordingly to what is needed on the work in hands, but it usually takes coffee.

  7. Q: What do you bring to a song?

  8. A: Well, most people I work with claim that my work is recognisable because it sounds bright and clean, with a full round bass and voice clarity, besides playing bass with octaves every chance I get, just like I groove on my drums like that dude from the Muppets Show.

  9. Q: What's your strongest skill?

  10. A: My creativity. Not having the money nor the gear I dream about teached me to work big with small resources. And it sure worked!

  11. Q: What type of music do you usually work on?

  12. A: Rap music,blues, rock and grunge, some metal

  13. Q: Can you share one music production tip?

  14. A: Watch your volumes and take good care of your instrument

  15. Q: How would you describe your style?

  16. A: Unique, since I try to copy no one.

  17. Q: What advice do you have for a customer looking to hire a provider like you?

  18. A: Don’t take criticism in a bad way. It helps us all grow.

  19. Q: What questions do you ask prospective clients?

  20. A: It depends on the approach and the client’s idea...

  21. Q: What's the biggest misconception about what you do?

  22. A: That I only push buttons and program things.

  23. Q: What do you like most about your job?

  24. A: The freedom to speak in a wordless language and to be understood so easly when I play

  25. Q: What's your 'promise' to your clients?

  26. A: Your song will be a banger

  27. Q: Analog or digital and why?

  28. A: It depends! But since I always use a computer somewhere, I’d say... Both?

  29. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  30. A: I haven’t really checked, to be honest.

  31. Q: What questions do customers most commonly ask you? What's your answer?

  32. A: “Can you do it?” “Yes, sit tight and gimme a minute!”

  33. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  34. A: I have this one crazy collab as a DJ, where I was invited to make the scratch cuts for a Megaran (aka Random) song called “The Desert”, produced by my friend Jay Bee (Canada).

  35. Q: Tell us about your studio setup.

  36. A: Mac-based setup running Logic Pro with a Focusrite, ADAT with Midas mic pres, Alesis MonitorOne and Yamaha HS7 monitors, XTouch for fader support and mix automations, a lot of XLR inputs, and a deep knowledge of the plugins I bought along the way, besides watching every Mix Masterclass that Youtube shows me. AKG and Shure microphones to record anything that produces sound, and a AKG headphone set for better audio cleaning / EQing / Mixing individual instruments before working the song in a whole. Recording music since I was a Studio apprentice back in 2008.

  37. Q: What was your career path? How long have you been doing this?

  38. A: Well, I played the drums all my life, and after 18 I decided to fight for my dream of having a studio to record other dudes while I would be playing on a band. By the age of 21 I was able to become a production studio apprentice, and from then on, worked as a roadie, studio manager, production and recording assistant, until I proved myself capable of recording on my own, with the approval of my old studio boss Mendes (from Thape Studios, Portugal). Kinda did it, and I didn't stop working and learning since then, being now 31 yo.

GenresSounds Like
  • Alice In Chains
  • Melvins
  • Limp Bizkit
Gear Highlights
  • Scratch and Maschine Nerd
More Photos
More Samples
SoundBetter Deal

- 20% if you get a Mix + Mastering pack