My goal is to make your sound as the best it can be.
I am an award winning music producer, mixing and mastering engineer.
For more than 10 years I have been traveling internationally as a DJ and live musician and have played in the most famous clubs and festivals in the world. (Panorama Bar, Robert Johnson, Concrete, Sankeys-Tokyo, Rex Club, Dimensions Festival, Montreux Jazz Festival, Strawberry fields festival, Lovefest - just to name a few)
Since 2019 I offer a mastering & mixing service. Through my experience,be it through my own release or my performances, I understand the technical details but also the most important thing in music - the emotions.
I work with selected high-end analog equipment, KII Three Studio Monitors in an acoustically treated room. To provide a maximum of transparency, all gear is isolated by clean power sources and custom wiring.
By using high-end analogue hardware in the mastering process I can get rid of that lifeless digital sound.
Each device has a special sonic signature which adds warmth and fullness, as well as punch and depth.
This will result in a more alive and 3 dimensional sound associated with commercial grade recordings.
Lets create great sounding audio that translates the character and emotional impact of your music to listeners.
Contact me through the green button above and let's get to work.
Credits
Discogs verified credits for Moomin (3)- Oskar Offermann & Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Smallpeople & Moomin (3)
- Moomin (3)
- Julius Steinhoff & Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Tristen (2)
- Various
- Tony Lionni
- Johannes Albert
- Laguna Ladies
- Acasual
- Casino Times
- Catz N' Dogz
- Jad & The
- Pedro*
- Robert Frederik
- Norachi
- Swales (2)
- Delfonic & Kapote
- Delfonic & Kapote
- Shindo (6)
- Delfonic & Kapote
- Delfonic & Kapote
- Philipp Priebe
- Philipp Priebe
- Tom VR
- Art Of Tones
- UC Beatz
- Dan Piu
- ASA 808
- ASA 808
- Norachi, Miris (3)
- ASA 808
- ASA 808
- DJ Fucks Himself
- ASA 808, Dark Sky (2) , ASA 808 DAEDE, Small Car NRG, 2XM (2)
- Ravelston
- DJ Rocca & Lex*
- Various
- Various
- Margaret Dygas
- Various
- Various
- Cuthead
- Various
- Various
- Various
- Raketka
- Various
- Mark E
- Various
- Various
- Various
- Various
- Art Department (2)
- Various
Interview with moomin
Q: What's your 'promise' to your clients?
A: My goal is to make your sound as the best it can be.
Q: How would you describe your style?
A: My working style is geared towards collaboration
Q: What was your career path? How long have you been doing this?
A: I was already fascinated by music as a small child and started collecting records at an early age and then also started djing very early on. At the end of the 90s I started producing music with the MS-DOS program fast tracker. Things got really serious around 2008, my studio setup consisted of a sp1200 Roland 909 / 808 / 707 / 606 and a few synths such as Roland Juno 106. My first album “story about you”, which was released in 2011, was very successful. Due to the success I played internationally in small and big clubs as well as festivals until the outbreak of corona. I have been interested in mastering since 2010 and was present at every session where a record was mastered for me. I was able to learn a lot through this, but it still took me many years to find the perfect setup for me and since 2019 I have been offering my own mastering service.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Take your time to get everything right. Your master can only be as good as your mix allows it to be.
Q: What do you bring to a song?
A: great sounding audio that translates the character and emotional impact of your music to listeners
Q: Tell us about your studio setup.
A: The studio is the result of years of innovation and refinement, combining the best of digital and analog. I work with selected high end analog equipment, KII Three Studio Monitors in an acoustically treated room. To provide a maximum of transparency, all gear is isolated by clean power sources and custom wiring.
Q: Describe the most common type of work you do for your clients.
A: I specialize in audio processing for analogue and digital products.Most of my clients have chosen to work with me because they appreciate my artistic flair for sound.
I was the Mixing & Mastering Engineer in this production
- Mastering EngineerAverage price - $50 per song
- Mixing EngineerAverage price - $450 per song
- Post MixingAverage price - $200 per minute
- RemixingAverage price - $1500 per song
- Kii Three
- Terry Audio CEQ
- Rupert Neve MBC
- Elysia MusEQ
- Crane Song
- BetterMaker Mastering Equalizer
- Tube Tech Hlt 2A