In today's music world, where everyone can record a demo at home, you need your music to stand out. You need it to be professionally mixed and mastered, and you need a great baseline to make it groove. Look no further.
My name is Matt Weber, I began my journey in sound engineering 9 years ago at Juilliard where I studied classical music performance and took courses in their state of the art studio. As a full time classical musician I have developed a keen ear for detail and apply that to my mixing and mastering work.
In the past three years I have been focusing on making my own songs sound great, and now I want to help you.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Matthew Weber
Q: Describe the most common type of work you do for your clients.
A: Normally I work with clients to fill out the instrumentation of their songs, adding bass guitar, upright bass, and occasionally a string section or electric guitars. Then I usually end up mixing the tracks and sometimes mastering.
Q: What other musicians or music production professionals inspire you?
A: As a bassist: John Entwistle, Rick Danko, Flea, Kim Deal. As a mixing/mastering engineer I love the sound of the Band’s records, and really like The Smith’s sound.
Q: Tell us about your studio setup.
A: I am running Reaper on a Mac mini 15gb memory, 1TB hd with PreSonus near field monitors. I use many reaper stock plugins as well as FabFilter, Waves etc. I use iZotope Ozone 8 for mastering.