I look forward to enhancing your sound
Pro-tools is my main DAW, but if you don't use Pro-tools, simply send me the stems of your music (contact me for your convenience).
Mixing prices vary for reasons such as:
-Number of Tracks
-Number of Songs
-If the instrumental needs mixing along with vocals
-Media Specialized Mixing (Radio, TV, etc.)
Thank you for the interest! If you have any concerns, please feel free to contact me via email or message me directly.
Tell me about your project and how I can help, through the 'Contact' button above.
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Interview with Edit Productions
Q: What's the biggest misconception about what you do?
A: Most artists don't understand the difference between the mixing and mastering stages of a song. Sometimes they don't even understand the significance of mixing.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure the service provider you're hiring can answer your questions in honest and direct answers.
Q: What do you bring to a song?
A: I like to add energy to the vocals while enhancing the power.
Q: Describe the most common type of work you do for your clients.
A: I mostly mix and master for my current clients
Q: What's your 'promise' to your clients?
A: I will not allow myself to release anything that sounds below standard quality. My name is just as important as my customer's level of satisfaction.
Q: Which artist would you like to work with and why?
A: I'm stuck between Travis Scott and J. Cole. Travis Scott has some of the best vocals in hip-hop, his engineers are very innovative and inspire me to create quality that can be better than industry standards. J. Cole, on the other hand, has amazing song writing capabilities and production, he inspires a creative mindset.
Q: Can you share one music production tip?
A: Distortion can open a new level of creativity (phasing, chorus efx, filtering, etc.)
Q: What type of music do you usually work on?
A: It's a tie between R&B and Hip-hop
Q: What's your strongest skill?
A: Hearing out the details; the potential in performance. It may be a word that could be spoken different or an instrument that could be played at a different velocity.
Q: What's your typical work process?
A: Usually when I open a mix, I'll listen to the entire song just to imagine what it can potentially sound as a final product. Right after that, I'll go straight into leveling.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by music producer Jake One also known as Snare Jordan. His production style is just amazing