Studio AVM on SoundBetter

I deliver...

I have a lot of experience with editing, audio restoration for podcasts. The story is leading, but the sound design really takes the listener into the story.
Mixing and mastering with an ear for detail and taking into account the loudness normalization of streaming services.In addition to the usual mastering tools, I have Orban radio processing tools. By sending your track also through this (analogue) equipment, I can show you how it could sound on an average radio station.

I enjoy working with young makers of music or podcast and I also want to guide the composing or interview process

Send me an email through 'Contact' button above and I'll get back to you asap.

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Interview with Studio AVM

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I've made music for the National Geographic documentary: "surviving the Serengeti". I'm also proud of the podcast serie i've edited called: "EB" (Radio 1 in the Netherlands)
Q: What are you working on at the moment?
A: making music (i am also a composer)
Q: Analog or digital and why?
A: digital because of the quality these days of plugins and high samplerates. Analogue (especially the radio-processing-line setup) because of the great Orban Optimod sound
Q: What's your 'promise' to your clients?
A: all i can do for the song or podcast
Q: What do you like most about your job?
A: creating
Q: What questions do customers most commonly ask you? What's your answer?
A: are you expensive..... my answer: maybe, but you get a high quality sound
Q: What questions do you ask prospective clients?
A: What do you want?
Q: What advice do you have for a customer looking to hire a provider like you?
A: just tell me what you want....
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: my computer, monitos, guitar and bass.
Q: What was your career path? How long have you been doing this?
A: eh....30 years??
Q: Which artist would you like to work with and why?
A: Young starting artists in music or making podcasts. That is because i am also a teacher in audio-technique
Q: Can you share one music production tip?
A: Do not compress the whole thing down! Learn to watch your meters ( The Bob Katz K-metering system is the best) and always listen the day after again....
Q: What type of music do you usually work on?
A: indie, Dub-reggae and sometimes EDM
Q: What's your strongest skill?
A: listening...
Q: What do you bring to a song?
A: darkness, unexpected things
Q: What's your typical work process?
A: i listen, i create, i try and then i make a decision...
Q: Tell us about your studio setup.
A: small computer based studio.
Q: What other musicians or music production professionals inspire you?
A: Bob Katz for mastering, Arno Peters for making podcasts. My musical roots are the 80's so bands like The Cure, Joy Division, Cocteau Twins, are a great inspiration for me. But old school DUB-reggae inspires me to. Film music from David Lynch, Angelo Badalamenti are favourites of me...
Q: Describe the most common type of work you do for your clients.
A: mixing, mastering and making podcasts

Radioplay,

I was the editing, mix, master, composer in this production

Podcast Editing & MasteringAverage price - $250 per podcast
Mastering EngineerAverage price - $70 per song
Mixing EngineerAverage price - $100 per song
EditingAverage price - $50 per track

Making a Podcast is done on a project basis and then agreements are made. All appointments are noted so that no surprises can arise. 2 revisions are common for mixing and mastering.