Music Producer/ Ghost Producer and Songwriter. Worked with Steve Angello, Axwell, Sony Music, Warner Music Group, The Kennel and more.
Vocal comping/ tuning, Production mix, vocal melody and lyrics for Pop (and all pop sub-genres) and EDM. I started with classical music (Piano and singing) at a young age and then worked with House music as a Producer and ghost producer. Nowadays I work with a lot of upcoming Pop artists in Sweden and planned releases on big international record labels. I do a lot of ghost production and soundtracks for Video Games too.
I'm studying at Advanced Music Production & Songwriting (AMPS) in Stockholm, Sweden for Pop music, and I'm looking for more opportunities to work within the Pop genre and get to know more artists/ songwriters, etc.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with David Pietras
Q: Analog or digital and why?
A: Both are important. You need to understand analog to be able to get the best out of digital. I always have analog synths or weird recordings from my portable recorder in my productions.
Q: What's your 'promise' to your clients?
A: I'm always doing my best.
Q: What do you like most about your job?
A: Every day is different and I get new contacts and experiences all the time. And I get to do what I love the most!
Q: What was your career path? How long have you been doing this?
A: I've been doing music my whole life. Started out with classical music and the worked with house music for 8 years. Artists and labels that I've worked with in house music are Steve Angello/ Axwell (Swedish House Mafia), Nicky Romero. Last year I've been studying music in Stockholm, Sweden (Advanced Music Production & Songwriting) for Pop music. And right now I have several productions and songs for upcoming Swedish artists (working with Sony, Warner, The Kennel and more) that are about to release later this year. My goal is to work full time with Pop music.
Q: Can you share one music production tip?
A: My favorite production tip is less is more. Try to have as few elements as possible but working with the individuals sounds instead. You can get more creative productions that way because you limit yourself and you need to come up with creative ways of making the few sounds cool.
Q: Tell us about your studio setup.
A: Apollo Twin, Novation Peak, SE-02, Genelec, Fender Telecaster, Portable recorder