My unique piano style, and wife’s sultry flute prowess adds a new, yet classic sound to any song we touch. We cut a demo for the 2011 film The Dynamiter, and in 2015, signed a recording contract with Lamon Records. It would be an honor to be a part of your creative story.
We deliver high end, stand out tracks to fit any project. With degrees in Music Business, and years of experience living the Nashville dream, we can help you navigate the sea of music to better stand out to publishers and labels alike. We’re gonna have fun🤘🏼😎🤘🏼
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with High Hammock Records
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Vinyl Sundays first self titled album. I took the reigns and co-produced with top Nashville talent.
Q: What are you working on at the moment?
A: New Vinyl Sunday album, and numerous demos (two/three weekly).
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet!
Q: Analog or digital and why?
A: Digital- (although analog brings the warmth) with technology these days, you can manipulate ANYTHING!
Q: What's your 'promise' to your clients?
A: We're gonna have fun.
Q: What do you like most about your job?
A: Making choices. Freedom to experiment.
Q: What questions do customers most commonly ask you? What's your answer?
A: How did you get to where you are? I followed my own plan. Sometimes life throws curves that your contemporaries didn't have... that's part of forging your own path.
Q: What's the biggest misconception about what you do?
A: That producers are intimidating. Be open and expressive and you'll find success.
Q: What questions do you ask prospective clients?
A: What is your end goal? What are you trying to achieve from this experience?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Have a budget (you get what you pay for). Who produced your favorite music? and who were their favorite producers? NEVER SETTLE. FOLLOW YOUR BLISS.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Korg SV-1, Shure SM7B, Apogee Duet, extra Mogami cables.
Q: What was your career path? How long have you been doing this?
A: Wanted to be an engineer. Moved to Nashville and signed a recording contact as an artist. Then started producing. Been involved in music my ENTIRE life.
Q: How would you describe your style?
A: Easy, breezy, and smooth.
Q: Which artist would you like to work with and why?
A: I like to work with someone who is open minded and willing to take risks.
Q: Can you share one music production tip?
A: Do your homework. Pre Production makes for a smooth session.
Q: What type of music do you usually work on?
A: Americana and singer/songwriter.
Q: What's your strongest skill?
A: Piano is my jam.
Q: What do you bring to a song?
A: My easy going attitude makes for a very memorable recording experience. I'll add the piano you've always wanted.
Q: What's your typical work process?
A: Week nights are for mixing, weekends are for tracking.
Q: Tell us about your studio setup.
A: Six isolation booths, industry standard rack, and a plethora of instruments to get any job done.
Q: What other musicians or music production professionals inspire you?
A: Dave Cobb is my hero.
Q: Describe the most common type of work you do for your clients.
A: I produce demos for your pleasure or potential licensing.
- Full instrumental productionContact for pricing
- ProducerAverage price - $200 per song
- Recording StudioAverage price - $800 per day
- PianoAverage price - $50 per song
- FluteAverage price - $50 per song
- Songwriter - MusicAverage price - $50 per song
Will provide 2 revisions with a daily turnaround.
- Fleetwood Mac
- Bonnie Rait
- Jackson Browne
- Korg SV-1
- Gemeinhardt Flute
- Logic
- ProTools
