Giorgio Maraia

MUSIC PRODUCER

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4 Reviews
Giorgio Maraia on SoundBetter

Producing and writing music for 15 years. I engineer and mix the projects I am working on. Doing my best to achieve the sonic goal my Client is looking for.

I worked with many Bands and Songwriters. Started my career as keyboard player in a symphonic black metal band, moved behind the glass working on a wide variety of projects, mixing strictly in-the-box, collaborating with professional studios.

Happy to work with anyone from around the globe. My primary goal is to make my Client happy.
I offer unlimited revisions and discounts for bulk projects.

Let's get started!

Contact me through the green button above and let's get to work.

4 Reviews

Endorse Giorgio Maraia
  1. Review by Mattia Cestaro
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    With my band Esequiem we have recorded the second album "Perpetual Devouring Dissolution". Very professional and helpful, especially in understanding what the band wants. Recommended.

  2. Review by Liga Otis
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    We (Nero or the fall of Rome) had the chance to collaborate with Mile Road Studio, and the finished work is all we wanted. Giorgio is a great professional, working together with the band throughout the process to make the most of his excellent work. Great producer, excellent final product. MRS Studio is a guarantee.

  3. Review by Luigi Nalli
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    by

    I have been able to collaborate with MRS for various projects and I can guarantee that for the prices on the market the quality is high. There is always the desire to do better and MRS offers cutting-edge equipment, creativity and experience, both technically and artistically.
    Giorgio loves challenges, he continues to research and experiment, always taking into account the musical genre and the needs of the artists he works with. Every time I enter his studio there is a new gear or some new plug-in. Top producer.

  4. Review by Fhyl Hyling
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    by

    Recorded two album at Mile Road Studio. Excellent work, Giorgio is very professional.
    If you want to record an album don't hesitate to contact him.
    I recommend MRStudio

Interview with Giorgio Maraia

  1. Q: What type of music do you usually work on?

  2. A: Most of my credits are rock/metal but also I have clients spanning country to hip hop.

  3. Q: Tell us about your studio setup.

  4. A: I work 100% in the box, no space for real hardware. The control room (in the apartment) is acoustically treated and includes a cushy couch for guests. The tracking booth (in the garage) is 3x3 meters, made by wood, suitable for a couple of musicians.

  5. Q: What's your typical work process?

  6. A: I listen to the whole song after a quick balancing, understanding its general flavour and what is more important. I proceed mixing all the instruments together as a song, tweaking here and there only if needed, to maintain the original sound of the band. At the end I add automations and effects if needed.

  7. Q: What's the biggest misconception about what you do?

  8. A: Many bands think computer can fix anything. They use it as a justification to play badly, without preparation. This is sad.

  9. Q: What's your 'promise' to your clients?

  10. A: To be fully available towards the best result.

  11. Q: What do you bring to a song?

  12. A: Simplicity, I try to keep recordings as natural as possible, enhancing what matters.

  13. Q: What was your career path? How long have you been doing this?

  14. A: I started at a very young age working with audiotapes, recording with really bad gear (ahah) after that I bought my first decent keyboard and mics, found a band in my city, started to compose my own music... and here I am now.

  15. Q: Analog or digital and why?

  16. A: Digital. I work on different projects at the same time, it happens. Mixing in the box lets me recall them over and over during the day. This is the faster solution for me.

  17. Q: How would you describe your style?

  18. A: I change style accordingly to the request I receive from the Artist. Of course I'm a big fan of analogue warmth so I put a certain kind of saturation in every project. I want to perceive the inner soul of the song. This is my signature I guess.

  19. Q: What do you like most about your job?

  20. A: I played in a band for ten years, produced our albums, went on tours. I know how difficult it is to emerge. Now I can help bands making them songs audible. I still have the chance to work with people who love music like me, listening to their ideas. To experiment new tracking methods depending on the situation. Every day in this business is gorgeous.

  21. Q: What other musicians or music production professionals inspire you?

  22. A: I am a big fan of HERTZ STUDIO in Poland, owend by Wiesławski brothers. Very clean yet powerful productions. I played in the past with some of their Artists. My goal, especially in metal music, is to produce albums like those.

  23. Q: Can you share one music production tip?

  24. A: Track instruments at the very best of your possibilities. A well recorded song sounds good even before mixing. You can't fix that later.

  25. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  26. A: The metal opera "A Christmas Carol" by Riul Doamnei, based on the famous novel. I engineered all the productive process. It took me 3 months of work without rest, like never before. Worked with a full band plus orchestra components and guests.

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Riul Doamnei - The Last of the Three Spirits The Black Hooded

Terms Of Service

Every project has its own special needs. Turn around time depends on the job. I work quickly.

Gear Highlights
  • Cubase 10 Pro
  • Waves Audio plugins
  • KRK speakers
  • Focusrite soundboards
  • Rode Shure microphones
  • AKG headphones
  • Arturia Minibrute 2
  • Akai MPD 218 controller
  • Roland Fantom 76 Workstation
  • M-Audio KeyRig 49 controller
More Photos
More Samples
  • NERO album OUT soonAug 22, 2019

    Recorded mixed and mastered, the first album of band Nero of the Fall of Rome is ready to be printed. The guys are enthusiast. Songs sound very well. Can't wait to see it distributed.