It is all about your vision and my goal is to make your songs sound at their best. I am specialized in Urban music, Reggae/Dub, & Electronic Bass Music I had over 6 years of experience and I am available to work on albums & singles. My work philosophy is Attention to detail, vibe, passion, Client satisfaction, and an “HQ” product and service.
I am a Spanish sound engineer based in London, Uk since 2010. (Puedes hablarme en Español si lo prefieres)
Through my many years of experience, I’ve had the pleasure of working with a diverse clientele across genres and I have crafted a unique set of skills allowing me to approach each project differently.
My work includes production, mix, and mastering for singles, EPs, albums, and studio recordings, for upcoming and established artists, holding credits with; Gavin Holligan, Luke Smith, Weka Fore/Spiritdisco, LaPili, Oseka Diamond Boy, Miriam Bolte, Vina Rose, Elena Flury, Adriana Daza, or Elys to mention some.
I am a low-end Urban music specialist; Trap, Reggaeton, Afrobeats, hip-hop & Reggae/Dub are some of the styles I work on a daily basis, but I am also involved in more organic projects like Soul, Jazz & Latin Jazz recording, mixing, and mastering.
Sound Engineer and Studio Technician at Pointblank London.
1st Degree in Music Production and Sound Engineering SSR London / Uclan University, Uk.
Awarded with the "AMS Neve Price" to the excellence on analog works 2018
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
4 Reviews
Endorse Jimmie Dub Troubles
check_circleVerifiedEasy to work with, the job was done in good time, and sounds great!!
check_circleVerifiedExcellent communication and speed for the mastering of my track. Very professional service! And the sound... Absolutely brilliant! Big up, Jimmie Dub! Thank you!
check_circleVerifiedI am very happy with the work he has done, very professional and an unbeatable treatment, very attentive at all times and an excellent final product quality, highly recommended to work with him, great engineer
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Jimmie is one of the best engineers I have the pleasure to work with. His mixes are well way up to professional standards and his masters always bring that warmth that digital service and bad engineers lack. I will recommend him as his one of the best on sonics.
Interview with Jimmie Dub Troubles
Q: Describe the most common type of work you do for your clients.
A: Mixing & Mastering.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Hollerzz
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I've been engineering Gavin Holligan recording sessions since 2016, he is an incredible producer and a very talented musician-songwriter.
Q: What are you working on at the moment?
A: I've been producing, mixing, and mastering for a Barcelona-based afrobeat label "Voodoo Music".
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Gavin Holligan
Q: Analog or digital and why?
A: I'll take advance of the booth world, digital technology has evolved so much that many plugins will give you 80-90% of the real thing said that I love what analog can bring to certain projects.
Q: What's your 'promise' to your clients?
A: Good communication, reliability, and 100% satisfaction.
Q: What do you like most about your job?
A: I love to work on creative stuff and help people to sound good.
Q: What questions do customers most commonly ask you? What's your answer?
A: - Do you offer deals for more than one song at a time? • Discounts on multiple songs can be certainly be discussed. Please note, discounts can only be negotiated in regards to full-scope projects (ie – an EP or album, not individual singles over the course of a year).
Q: What's the biggest misconception about what you do?
A: "Analog vs digital" Nowadays booth worlds are great with pros & cons on workflow and quality but in the end, it doesn't matter if your ears are not well trained.
Q: What questions do you ask prospective clients?
A: Vision, references, deadlines.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Get in touch and let me know what's going on in your mind and what you expect for the project. I will help you to achieve the best results.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: a Generator or solar panels, speakers, and something to play music with.
Q: What was your career path? How long have you been doing this?
A: Everything began helping my father with live sound as a teenager, then I get into DJing evolving to a music producer, playing festivals and clubs internationally to finally become a professional sound engineer specializes in recording, mixing, and mastering.
Q: How would you describe your style?
A: Restless and Professional, I will not stop until I get everything sounding perfectly right.
Q: Which artist would you like to work with and why?
A: "Sevdaliza" is one of the most talented and creative singers/producers at this moment, her records are from another world.
Q: Can you share one music production tip?
A: Get your sound right if you are recording or get your samples right if you are producing in the box, a mix/master can't fix a bad production.
Q: What type of music do you usually work on?
A: I'm a restless mind kind, so I'm always super excited to work on a bast variety of styles. I usually work on Reggae/Dub, Trap, Afrobeats, Drill, or Hip hop and I run recordings sessions for Soul, Jazz type bands. I usually don't work on, rock, punk hardcore, or noise stuff etc...
Q: What do you bring to a song?
A: Space, warmth, clarity, and weight.
Q: What's your typical work process?
A: Have a conversation, gather information, and discuss the vision of the project with the artist, ask for references, listen to it carefully and then write an action plan with strategies for mixing/mastering in which I will sort out any equipment or techniques need it to accomplish the artist vision.
Q: Tell us about your studio setup.
A: I've spent time working with both analog-hybrid and ITB mixing, and have access to both methods. They both have great traits, but due to my preferences, workflow, and the number of ongoing mix projects, I've currently been favoring ITB mixing. Every often I would incorporate outboard units into my mix/mastering. I have access to an amazing range of equipment analog and digital, including two professional studios based around a Neve VR60 / 48Ch console and an Avid S6.
Q: What's your strongest skill?
A: Mix and Masterings. Provide your songs with warmth and crispy feeling.
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song
- Beat MakerAverage price - $250 per song
- Recording StudioAverage price - $250 per day
- Dialogue EditingAverage price - $50 per minute
- Ghost ProducerAverage price - $500 per song
Mix: 1 Week (Alternative mixes Available)
Master: 1-3 days. (Master from Stems Available)
I provide unlimited revisions, We work until we are 100% satisfied.
Offer on Mix & Master orders.
- Oxford
- UAD
- Native Instruments
- Sound toys
- FabFilter
- Arturia
- Waves
- Softonic Plugins. 1176 Comp
- Neve1073EQ
- Pultec EQP-1A
- SSL G Bus Compressor
- Teletronix LA-2A
10% off on your first order
