Expensive tools. Industry experience. Unlimited revisions for free.
Professional mixing and mastering at one place. See key features:
— Estimated worth of the mixing/mastering tools: ~$32,000.00
— Mixing service starts at $60.
— Fast turnaround time (24-72 hours).
— Industry experience.
— Finding the tools that sound the best on your song.
— Unlimited revisions. No extra charges.
— Every revision will be completed in 24 hours.
— Working until you like the result 100%.
— Order mixing separately or including mastering.
— Up to 70% discount if you send a whole project.
Check out my interview below to get familiar with my working process a little bit.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Nathaniel Wing
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: EVE SC307 Monitors, Apollo interface, SSL Sigma, SPL Iron and Manley Massive Passive. Island mixing/mastering service is available.
Q: Can you share one music production tip?
A: I would like to share one tip for artists and one for engineers/producers. For artists: I will keep it short, there are so many times I receive clipped or distorted vocals. Please always consider that -6 db is an absolute ceiling to record without distortion. I would recommend to record at about -15 db not allowing peaks to go above -9 db. For engineers: If you want to split the mid and sides manually to process them separately, you can do it the next way. Create a stereo send channel and send there the signal (or split the signal in another way). On your main track, merge L and R to mono, this is mid, now you can process it. On the stereo send, invert the R channel phase, merge to mono, this is side. Now you can process it. In the end the phase on R channel should be inverted again. That's it. You can use this trick to process your mid/side with any plugins, even if they don't have that function, or just to have mid/side on different channels to organize your chain, or to process mid or sides on mono analog gear.
Q: Analog or digital and why?
A: Analog sound, digital control. I think combining these 2 will provide the best results in a very efficient way.
Q: What's your 'promise' to your clients?
A: I'm going to put my best in every project that I receive to work on. Music is my passion and I really love to create with my artists and help their songs to interact with listeners, share emotions, feelings, to make the idea become real.
Q: What's the biggest misconception about what you do?
A: I get mixed songs to mix like everyday.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't be shy to ask more and more revisions, feel the creativity, ask me to try something different. Not trying to limit my artists from being creative.
Q: What do you like most about your job?
A: It's my dream job.
Q: What was your career path? How long have you been doing this?
A: I started to work way back in 2011 and I been through a lot of things during my career. Ups and downs. Produced for Paul Wall in 2016. Now I'm at the point where I'm ready to help all the artists and producers with my skills and knowledge. I'm trying to learn every single day and improve, improve, improve. That's what I'm focused on all the time.
Q: How would you describe your style?
A: My production style is kinda dark and emotional.
Q: Which artist would you like to work with and why?
A: Travis Scott or Drake, just because I love their music a lot.
Q: What type of music do you usually work on?
A: Trap & Hip-Hop. That's what I started from and that's what I'm the best at.
Q: What's your strongest skill?
A: I think it's the ability to hear if it sounds good.
Q: What do you bring to a song?
A: I'm trying to add life, emotions, make people to feel the song.
Q: What other musicians or music production professionals inspire you?
A: Definitely Travis Scott & Murda Beatz.
Q: Describe the most common type of work you do for your clients.
A: Custom production, mixing and mastering. My primary rule is to work until client is satisfied.