Hey, I'm an audio engineer from the UK. I've been mixing and mastering since 2017, for my own projects, and for others. I have a degree in audio engineering and have worked on releases for a wide range of independent record labels and artists.
Hey, I'm an audio engineer from the UK. I've been mixing and mastering since 2017, for my own projects, and for others. I have a degree in audio engineering and have worked on releases for a wide range of independent record labels and artists. I've mixed a bunch of different styles but specialise in Black Metal and other forms of underground Metal. I tend to mix with a more natural and old school sound.
As a musician myself, I know how important it is to have a solid mix/master. You always want to give the listener a good first impression of your music, and a bad mix can really put some people off.
I will make sure to follow your requirements/brief closely, and take the time to ensure you are 100% happy with the final outcome of the mix.
You can hear some examples of my work attached to this gig.
If you're interested in working with me at all, send me a message and I'll answer any questions you might have.
Contact me through the green button above and let's get to work.
Interview with Danny Pinchen Audio Engineer
Q: What are you working on at the moment?
A: Various mixing/mastering work and lots of my own musical projects.
Q: Analog or digital and why?
A: I think a mix of both is best. With analog you can achieve some sounds that just aren't quite the same in the digital realm, like saturation/distortion, but digital is certainly much more convenient in many ways and speeds up the process of mixing and/or mastering a song.
Q: What's your 'promise' to your clients?
A: I will stick strictly to their vision for their music and make the mix, or master, sound as good as possible so that it reaches its full potential, while following the guidelines laid out to me by the client.
Q: Can you share one music production tip?
A: Keep things simple. There's no need to use tons of effects on every track. You should be able to get a professional sounding mix using just the essentials (Levels, EQ, Automation, Compression, Saturation, Reverb, Delay).
Q: What's your strongest skill?
A: Sticking to the clients vision, and making sure that they get exactly what they want in the mix/master.
Q: Describe the most common type of work you do for your clients.
A: Most of the time I do mixing work for my clients, but I also do a fair bit of mastering too. Generally I work on full projects, like full length albums or EPs, but I'm more than happy to work on individual songs too.