My definition of the Perfect Mix? The one that makes you happy ! But also the one that will make your fans love you. My philosophy at any stage of production is that the purest version of your vision is properly translated to final product.
Depending on your need I can reach for one or few of the following:
Bettermaker Mastering Limiter
pair of Distopik EQP-1A program equalizers
SSL 4000 type “Gold Can” VCA compressor
GML/Sontec inspired Distopik Precision Series Mastering EQ
Precision Series FET Limiter
Studer A812 Mk1
Distopik Fairchild 670
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
4 ReviewsEndorse Dee Mono
Dee completely nailed the score for my short film. I can only say, even though we had a super short deadline, his work brought up the film to a whole new level. His use of synthesizers and organic orchestration blew everyone's minds at the Film festival.
Dee is a competent and reliable producer. He makes extra effort to ensure that the final product is well done.
Dee mastered six songs of mine in a timely fashion and they all came out sounding incredibly professional. The difference between the mastered songs versus the originals (which were already great) was incredible and well worth the price. Dee is also easy to communicate with and will provide you with excellent service. I would highly recommend him to anyone.
What can I say? He's my go to guy for mixing and mastering for my music. I can be pretty picky with my tones and how I want to deliver my tracks and he pretty much nails what I ask for. I recommend him to everyone.
Interview with Dee Mono
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm proud of every project that I've been selected to work on. With so many talented engineers and producers out there, I'm truly grateful for having trusting clients.
Q: What are you working on at the moment?
A: Short Film Music
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Matty Harris ! Interned for a short bit at his studio and the guy is seriously gifted.
Q: Analog or digital and why?
A: Duh (eilish's duh) both Digital for the workflow. Analog for the toneprinting and summing.
Q: What's your 'promise' to your clients?
A: "I promise every track out there is this squashed"
Q: What do you like most about your job?
A: The smell of clients posting their new material online. and feeling a part of their success and or happiness.
Q: What's the biggest misconception about what you do?
A: No, I don't wanna play rhythm guitar for your band.
Q: What questions do you ask prospective clients?
A: Is your music for personal growth or is it aimed to the crowds.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't set your expectations too low.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A guitar, a laptop, and a mic
Q: What was your career path? How long have you been doing this?
A: Been learning since 2005
Q: How would you describe your style?
A: FULL and refined lo-fi
Q: Which artist would you like to work with and why?
A: Foals. They're amazing
Q: Can you share one music production tip?
A: don't reach for automation if you haven't gotten rid of masking.
Q: What type of music do you usually work on?
A: Indie, rock, r&b, trap, metal, progressive.
Q: What's your strongest skill?
A: A refined ear.
Q: What do you bring to a song?
A: Stairs to heaven
Q: What's your typical work process?
A: Making sure I understand what the client needs from me. Executing based on that. Receive feedback from client and make final adjustments if needed.