Marcelo Mascetti on SoundBetter

Recording & Mixing Engineer. From the beginning of 2000 till today I've been working in various recording projects with some of bellow artists: Marky Ramone, The Wailers, Nonpalidece, La Mississippi, Juanse, Las Diferencias (Carlos Gardel Award winner at 2017), Massacre, Flema, Rondamon, Alejandro Lerner, Carajo, Los Tipitos, and many others.

I've started from the beginning of 2000 at "El Pie Recording Studios" as Recording Assistant and Resident Engineer working together with Engineers and Producers of vast experience in the music industry.
By the year 2008, I start working with Adrian Taverna at "Norberto Napolitano Studio" at "Rock & Pop Radio" as Resident Engineer until year 2012.
In 2012, together with Adrian Taverna, we created "Luis Alberto Spinetta Studio" at Vorterix Radio. I was in charge of the mixing for Streaming of the shows performed at the studio and at Vorterix Theatre.
On these shows I could work with some of the best National and International artists such as: Marky Ramone, Die Toten Hosen, Skatalites, Megadeath, The Wailers, Tame Impala, Ghost, The Mission, Peter Murphy, P.I.L., Dinosaur Jr., Molotov, Run DMC, De La Tierra, Abel Pintos, Nonpalidece, Los Cafres, Skay Beilinson, Ciro y Los Persas, Viticus, La Beriso, ANIMAL, Jauria, Guasones, Turf, Attaque 77, Massacre, and many others..
In 2016, the idea of creating a place to do my own jobs started to grow, and in association with Mauro Percivalle we created Limonhero Studio.

Send me a note through the contact button above.

Credits

2 Reviews

Endorse Marcelo Mascetti

by Gustavo Pablo Di Peco
Great recording and mixing engineer, in 20 years we have shared many works together and it is always a pleasure to work with him
by Diego
It has been an incredible experience working with Marcelo. His professionalism, experience and knowledge take the song to another level. We will definitely see each other in the next project!

Interview with Marcelo Mascetti

Q: Analog or digital and why?
A: Both, digital and analog. Digital by the practicality when editing and making some recall and analog by the warmth and depth of sound.
Q: What was your career path? How long have you been doing this?
A: I dedicate myself to recording and mixing 20 years ago
Q: Can you share one music production tip?
A: Always give the best in each project you work.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A computer, 1 sm57, 1 Akg 414, 1 Universal Audio Interface, a pair of Headphones
Q: What type of music do you usually work on?
A: Reggae, Indie Rock, Rock, Pop Rock, Dub
Q: What's your strongest skill?
A: Recording & Mixing
Q: What's your typical work process?
A: I usually make the mixes in the box using UAD Plug Ins and inserting some analog process like compressors and eq and doing the mixdown through a custom 8 channel analog summing mixer
Q: Tell us about your studio setup.
A: I have a hybrid studio equipped with pro tools and analog hardware
Q: What other musicians or music production professionals inspire you?
A: Rick Rubin, Sylvia Massy, Steve Albini, Tchad Blake, Mad Professor, Lee "Scratch" Perry, Andy Wallace, Tom Lord Alge, The Scientist
Q: Describe the most common type of work you do for your clients.
A: Recording, Mixing, Editing & Mastering

Nonpalidece Ft. Brinsley Forde - Keep The Fayah Burning

I was the Mix Engineer in this production

Mixing EngineerContact for pricing
Mastering EngineerContact for pricing
Time alignment - QuantizingContact for pricing
EditingContact for pricing
Vocal TuningContact for pricing

Mix rate includes mixing, free mastering, & up to 2 revisions. Additional revisions may cost more. Typical turnaround is 3 days or less for a single song.