🔥🔥 I've been doing music 24/7 for the last 8 years. If you have an idea i'm you man 🔥🔥 Born in Buenos Aires, based in Buenos Aires
For me it's all about the time: The time you spend practicing. The time you spend listening to the track till THAT idea comes to your head. The time you spend creating the music till you forget about everything but the essential.
My biggest strengths are the guitar playing and the music production.
I've been playing guitar since I was a kid and studied with one of the bests guitarists of my country.
I play Rock, Funk and Blues naturally. Then learned to play Jazz and contemporary R&B.
I love using FX pedals but the thing i really love about playing the guitar is looking for the the melody, chord or harmony that the song needs.
I've studied composition and musical arrangements for five years.
In the last years I've spent my time in the Ableton Live searching the sound of the present and the future. Mixing urban styles like Trap, Hip hop or Reggaeton with Jazz and Rock.
If you want a catchy melody I can get it for you. If you want a sweat guitar from the heavens I can get it for you. If you want a satanic distortion I cant get it for you. If you want a jazzy beat I can get it for you. If you want a experimental Reggaeton I can get it for you...
I'm all ears...
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Interview with PLA
Q: Describe the most common type of work you do for your clients.
A: I usually make beats or I record a guitar or bass line
Q: What other musicians or music production professionals inspire you?
A: I love Kanye West type of production. I get really touched by John Frusciante guitar playing. But my biggests inspiration now a days are Quincy Jones and Beyoncé
Q: Tell us about your studio setup.
A: I have two studios. One at the rehearsal room with a Focusrite 18i20, Presonus Studio Live16.4.4, Mark Bass Little Mark Tube, Twin Reverb Amp 1973, Fender Precision 1977, Gibson Les Paul Standard 2011, Fender Telecaster Mexico 2013 and two well equipped pedalboards. The other at my home with a M Audio M Track, two Krk Rockit6 G2 and my two acoustics guitars (12 strings Fender Korea 1989 and a 6 string nylon Alpujarra 1983).
Q: What's your typical work process?
A: I like to imagine a movie in my head. Each character is a musical element. I start to develope the idea trying to represent the personalities and image.
Q: What do you bring to a song?
A: I bring colour, feeling and an exotic flavour
Q: What's your strongest skill?
A: Making sexy melancolic reggaeton beats
Q: What type of music do you usually work on?
A: Trap, Reggaeton and Modern Rock
Q: Can you share one music production tip?
A: Always record the first attempt
Q: Which artist would you like to work with and why?
A: I would like to work with Frank Ocean. He always bring something new to the world. I think he is authentic and reckless
Q: How would you describe your style?
A: I would describe it as exotic. A mixture of cultures
Q: What was your career path? How long have you been doing this?
A: I've been doing music for about 10 years now. I started playing the guitar in high school. The I learned musical theory, composition and musical arrangement in my late teen and early twenties. I've been doing musical production for the las five years.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I would take a computer, a audio interface, a mic, a keyboard and a guitar.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be patient. It's all about time
Q: What questions do you ask prospective clients?
A: I ask them what does they spect with the song, what does the song represents, what are the meaning of the lyrics if the song has lyrics. I want to imagine what the client really is looking for
Q: Analog or digital and why?
A: Digital. You have a infinity of possibilities