Sergey Kruglov

Recording and Mixing Engineer

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1 Review
Sergey Kruglov on SoundBetter

Hi, my name is Sergey Kruglov and I'm a recording and mixing engineer, currently working at Mosfilm Music Studios.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

AllMusic verified credits for S. Kruglov
  • Hibla Gerzmava

1 Reviews

Endorse Sergey Kruglov
  1. Review by Sofiya Sattarova
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    by Sofiya Sattarova

    Sergey is one of the best sound producers. I worked, I'm working and I'll be working with him! He is calm, attentive and responsive. If you want to make a quality recording - run to him :-)

Interview with Sergey Kruglov

  1. Q: Analog or digital and why?

  2. A: Hybrid, I like the creative freedom that ITB gives you, but nothing can beat analogue summing yet, some hardware reverbs are irreplaceable. Most of my processing is ITB, but for summing I try to use analogue console.

  3. Q: How would you describe your style?

  4. A: I don't think that I have a particular style, but there are certain things that I like and gravitate towards during mixing. I like wide mixes with a lot of low-end and open high end, somewhat Hi-Fi sounding.

  5. Q: Can you share one music production tip?

  6. A: Don't postpone production decisions. Commit to the sound, commit to the parts. If you can solve a problem during recording, do it.

  7. Q: What was your career path? How long have you been doing this?

  8. A: I started in 2012 as a FOH engineer in Gnesin Academy Concert Hall and a year later I started working at the broadcast station "Orpheus" recording and mixing classical music concerts in various halls in Moscow. Since 2015 I work at Mosfilm Music Recording Studios as a studio engineer, since 2019 I'm a chief specialist of the music recording studios at Mosfilm.

  9. Q: Tell us about your studio setup.

  10. A: I use Avid Pro Tools Ultimate software and plugins from Universal Audio, Audioease, Soundtoys, Kush, Fabfilter and Waves. I rely on my Amphion One18 monitors which I know pretty well. It is possible to arrange mixing session at Mosfilm Music Studio 2 where we have 48-channel SSL 4000G console, Prism Sound converters and finest outboard gear from API, Neve, Universal Audio, Summit etc. Yamaha NS-10, ProAc Studio 100, Kinoshita monitors and professional acoustic environment designed by Tom Hidley.

  11. Q: What questions do you ask prospective clients?

  12. A: Anything that can help me to understand their vision and the sound they want. The best way to demonstrate vision is to use references so I ask for reference tracks, favourite productions.

  13. Q: What type of music do you usually work on?

  14. A: I work with acoustical music that could have some electronic elements in it as opposed to fully electronic. So the genres are blues, singer-songwriter, country, indie rock, rock, pop-rock. As a recording engineer, I work with acoustical ensembles, rock bands.

  15. Q: What other musicians or music production professionals inspire you?

  16. A: I'm really inspired by the work of Serban Ghenea, Andrew Scheps, Tchad Blake, Michael Brauer and Eric "Mixerman" Sarafin.

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Workday Release - City Lights

I was the Mixing Engineer in this production

Gear Highlights
  • Amphion One18 Loudspeakers
  • ATC Loudspeakers
  • SSL 4000G 48-channel Console
  • Teletronix LA-2A
  • Summit Audio TLA-100
  • Telefunken U47
  • Universal Audio
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