I am a recording and mixing engineer with a specialist's honours degree in Music Production and professional studio experience. You can be sure of strong work ethic from my side, high quality result, easy communication and quick response.
I'm recording and mixing engineer who specialise in acoustic music (classical, rock, pop-rock, heavy rock blues, country). My total professional engineering experience is 5 years which include 2,5 years of recording of classical music for Russian State Musical TV and Radio Center and 2,5 years at Mosfilm Music Studios, assisting during sessions and recording music on my own as engineer.
You will get:
1) Mix at original sample rate and bit depth
2) Limited ‘listening’ copy of the mix - it is not a mastered track, it's provided only for ease of referencing to other mastered productions which can be louder
3) Additional versions - backing track (no lead vocal), instrumental version (no lead vocal and no background vocals), a cappella version (vocals only)
One mix revision is included in price. Further revisions charged by hourly rate (50$/hour) while you listening realtime streaming of your mix from the studio and we discuss changes via Skype, WhatsApp or Facebook Messenger.
Tell me about your project and how I can help, through the 'Contact' button above.
Reviews (1)Endorse Sergey Kruglov
Interview with Sergey Kruglov
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Recently I've been running quite demanding recording session of Symphony Orchestra of Ministry Of Defence of Russian Federation. About 40 microphone channels on SSL 9000 Console, separate CUE mixes for each group of instruments (strings, woodwinds, brass and drums).
Q: What type of music do you usually work on?
A: As a mix engineer I work in rock, blues, country and americana genres
Q: Tell us about your studio setup.
A: For remote services I usually mix completely in the box. I use Avid Pro Tools software and plugins from Universal Audio, Audioease, Soundtoys, Kush, Fabfilter and Waves. I rely on my Event 20/20 BAS Monitors which I know pretty well. I also use Yamaha HS 50M monitor for checking mixes in mono. It is possible to arrange mixing session at Mosfilm Music Studio 2 where we have 48-channel SSL 4000G console and finest gear from API, Neve, Universal Audio, Summit etc. Yamaha NS-10, ProAc Studio 100, Kinoshita monitors and professional acoustic environment designed by Tom Hidley.
Q: What other musicians or music production professionals inspire you?
A: I'm really inspired by the work of Andrew Scheps, Tchad Blake, Michael Brauer and Eric "Mixerman" Sarafin.