Hi, I'm Adrien Souquere, Mastering Engineer. Graduate of the prestigious Abbey Road School. Want to sound as good as your favourite artist? You've come to the right place. I don't claim to have a secret sauce to add to your productions. My workflow is simple. I use the best tools available in an acoustically treated studio to get your music soundin
I love mastering music and helping artists get that final piece to their sound they've always been desperate for. I know the difference a quality master makes to a release, and how necessary it is getting your music out to fans, stores, radio, tv broadcasts and record labels the way you imagined it should.
I deeply respect, appreciate, all facets and entities of records; I feel morally and creatively obligated to do the medium justice and follow my intuitions.
Send me an email through 'Contact' button above and I'll get back to you asap.
Tell me about your project and how I can help, through the 'Contact' button above.
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Interview with Yss Studio
Q: What's your strongest skill?
A: Our approach is above all artistic and we make a point of honor to treat each project with the same implication and the same seriousness. We make a point of adapting ourselves to each artistic project in order to obtain the result that we have the right to expect from the artists of the material that it provides us. A mastering is always the fruit of a listening and a dialog between the engineer and you as for the artistic direction to give to your project.
Q: What's your typical work process?
A: Once I have the client files, I do a careful analysis. In case of any problem, I contact the customer and indicate the necessary modifications to obtain the best possible result. Once all corretions are done on the files, I get to work. In general, I take the time to listen to the track one to more times to impress with precision to provide the proper treatments to have a flawless result. I send an extract of the track to the customer that if I am 100% satisfied so that it can initially get a better idea of the final rendering. I will then ask the customer if he wants adjustments to the track. After this step, I envy the complete track to the client. I am always happy to adjust the sound to the taste of my clients. This process has generated many happy and loyal customers.
Q: Tell us about your studio setup.
A: The acoustic treatment is perfectly tuned to obtain the best acoustic result in the studio and thus respond in the best way to the need to have a precise acoustics. Here is my material that I use everyday to work in the best conditions. - Logic Pro X - Sequoia - Ableton - protools - RME Fireface 802 - Custom Speakers (Connected in AES) - Beyer Dynamic DT 880 Pro - Homemade Control Monitoring - Crane Song Egret - Manley Massive Passive - Millennia TCL-2 - Burl B2 Bomber ADC - UAD 2 Octo (All Plugins) - Slate Digital (All Plugins) - Brainworx (All Plugins) And several other plugins, but what I use mainly.
Q: Describe the most common type of work you do for your clients.
A: Customers who come to see me most often ask me to finalize their productions. As a mastering engineer, my work is minute and in line with the artistic direction of the production in question. My treatments enhance the creativity and musicality of each production in a unique way.