From piano instrumentals to house and dubstep. Atmospheric soundtracks. Sound design. And all in between.
Music and sounds for movies, games, commercials, etc. From piano instrumentals to house and dubstep. Atmospheric soundtracks. Sound design. And all in between. 10+ years of music production and performing and solid technical skills make Yura an expert in music and audio production.
Send me a note through the contact button above.
1 Reviews
Endorse SPELTAInterview with SPELTA
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Music for a game. I managed to meet the unusual requirements. The client was happy.
Q: What's your 'promise' to your clients?
A: Produce music that makes their project excel.
Q: What do you like most about your job?
A: The combination of limits and freedom.
Q: What questions do customers most commonly ask you? What's your answer?
A: (giving me a reference track) — Can you do alike? — I think I can, I'll give you a draft soon.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Music is subjective. To produce the music you need, it is crucial to understand each other. References help.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook, iPhone, MIDI-keyboard, studio monitors, and a guitar.
Q: What was your career path? How long have you been doing this?
A: I've been working in various IT fields. And I produce music for 10+ years. IT background helps greatly to produce electronic music.
Q: How would you describe your style?
A: Cinematic, dramatic. I like deep music, that evocates and stun.
Q: Can you share one music production tip?
A: Learn the rules and go beyond.
Q: What type of music do you usually work on?
A: Downtempo, pop music, soundtrack.
Q: What's your strongest skill?
A: Adaptiveness and lateral thinking.
Q: What do you bring to a song?
A: Fresh ideas.
Q: What's your typical work process?
A: I learn references (other music, movies, games—provided by client or of my choice). I learn the tempo, the mood, the instruments that are best for the job. Then I play music, finding the melody and harmony. Record and edit. That arrange according to the specification.
Q: Tell us about your studio setup.
A: Logic Pro, Tapco S5 and KRK VXT monitors, Yamaha guitar.
Q: What other musicians or music production professionals inspire you?
A: Alexandre Desplat, Apparat, BT, Craig Armstrong, Kaskade, Max Richter, RAC, Robert Miles, Thomas Newman, Tycho, Zedd.
Q: Describe the most common type of work you do for your clients.
A: Music for games, and various music based on references.
I was the Music Producer in this production
- ProducerAverage price - $50 per song
- Sound DesignAverage price - $50 per minute
- Songwriter - MusicAverage price - $25 per song
- Track minus top-lineAverage price - $25 per song
- Film ComposerAverage price - $50 per minute
- Top line writer (vocal melody)Average price - $25 per song
- BT
- Nils Frahm
- KRK VXT monitors
- AKG 240 headphones
- MacBook Pro