
It's the ear, not the gear. My approach to engineering has been shaped through 27 years as a musician and over 20 working in sound. A combination of all the technical recording elements with the artistry and creativity of musicianship. By understanding music, the creative process, and recording techniques, I know how to work with artists to help
I record, mix, and master at my studio, The Hideaway. A private, pro level studio in Los Angeles, featuring 4 isolated tracking rooms, a Yamaha C7 grand piano, and some of the finest vintage and modern gear around. There is a philosophy here that creating great records requires a blend of great equipment, a great room, great ears, and an understanding of great music. If you add to that a great work ethic, you'll get a great record - guaranteed. I aim to capture YOUR sound, mix YOUR songs, and help YOUR music be the best it can be.
Send me a note through the contact button above.
Credits
AllMusic verified credits for Eric Astor- Whitesnake
- Whitesnake
- Whitesnake
- Hiroe Sekine
- Jake Ehrenreich
- Jake Ehrenreich
- Paul Jones
- Paul Jones
- Steve Barta
- Hubert Laws
- Jeffrey Biegel
- Lorraine Feather
- Daniel Alcheh
- Whitesnake
- Ledisi
- Lorraine Feather
- The Temptations
- The Temptations
- The Temptations
- Mishka
- Eric Astor
- Eric Astor
- Eric Astor
- Eric Astor
- Eric Astor
- Eric Astor
- Sylvia Brooks
- Jackie Ryan
- Frank Macchia
- Lisa Ono
- Paul Jones
- Paul Jones
- The Manhattan Transfer
- Allen Carter
- Lalo Schifrin
- Lalo Schifrin
- Darkest Hour
- Seven Storey Mountain
- The Sisterhood of Convoluted Thinkers
- Sleepytime Trio
- The World/Inferno Friendship Society
- Junction
- Junction
- A Tribe Called Quest
- Gary Urwin Jazz Orchestra
- Pete Christlieb
- Bill Watrous
- Carl Saunders
- Gary Urwin Jazz Orchestra
- Pete Christlieb
- Bill Watrous
- Carl Saunders
- Gary Urwin Jazz Orchestra
- Pete Christlieb
- Bill Watrous
- Carl Saunders
- Gary Urwin Jazz Orchestra
- Pete Christlieb
- Bill Watrous
- Carl Saunders
- Whitesnake
- Lorraine Feather
- Frank Macchia
- Dori Caymmi
- Earl Rose
- Carl Saunders
- Roger Kellaway
- Cathy Segal-Garcia
- Mon David
- Paul Jost
- Cathy Segal-Garcia
- Mon David
- Paul Jost
- The Temptations
- Cathy Segal-Garcia & Phillip Strange
- Ben Powell (5)
- The Gary Urwin Jazz Orchestra And Friends*
- Laurent Ziliani
- Alex Robinson
- Laura Wolfe (2)
- Greg & Steve*
- Masato Honda
- Jessy J
- Lorraine Feather
- Dolores Scozzesi
- The Temptations
- Judy Wexler
- Ledisi
- Whitesnake
- Lorraine Feather
- Leela James
- Lorraine Feather
- Paul Jones
- Lorraine Feather
- Roger Kellaway Trio*
- Harry Allen (2) & Ken Peplowski & Scott Hamilton
- Various
- Carl Saunders
- Whitesnake
- Lorraine Feather
- Whitesnake
- Scott Whitfield Jazz Orchestra West
- Ben Powell (5)
- The Gary Urwin Jazz Orchestra And Friends*
- Bevan Manson
- Bevan Manson, Coastal Scrub Jazz Collective, Hollywood Studio Symphony*
- Laurent Ziliani
- Patrisha Thomson
- Harry Allen (2) & Ken Peplowski & Scott Hamilton
- Alex Robinson
- Whitesnake
- Mixing EngineerAverage price - $400 per song
- Live SoundAverage price - $350 per concert
- Mastering EngineerAverage price - $100 per song
- Electric GuitarContact for pricing
- Acoustic GuitarContact for pricing
- EditingContact for pricing
- Arturo Sandoval
- Lorraine Feather
- Amek Media 51 44 channel analog console
- Bricasti M7 reverb
- vintage mics
- various outboard
- UAD
- Waves
- and other plugins




