
Producer, mixer and mastering engineer specialising in modern rock, alternative and heavier music. Working from Electric Bear Studios, I help artists create powerful, release-ready records that stand up to commercial releases.
I’m a UK-based producer, mixer and mastering engineer working from Electric Bear Studios. I specialise in modern rock, alternative and heavier genres of music, helping artists turn raw ideas into powerful, release-ready records that translate across streaming, radio and live performance.
I opened Electric Bear at 20 and have since worked across a wide range of projects, from rock and metal bands through to jazz ensembles and orchestral sessions. That range has shaped a flexible but detail-focused approach, with a strong emphasis on performance, tone and clarity.
Across my career I’ve worked on thousands of recordings and live shows, collaborating with artists including Lola Young, Ferocious Dog, Hung Like Hanratty, Katie London, Scribble Victory, The Publics, Stormbringer, and Death Of The High Street, among others.
Clients come to me for authentic, energetic productions that still feel clear and controlled, as well as mixes that translate reliably on all systems. Whether working remotely or in-person at the studio, my focus is always the same, making your music sound like a finished, competitive record.
As well as production and mixing, I also offer session drumming and drum tracking for punk, alternative and harder genres.
If you’re looking for a producer and mixer who understands rock energy but also commercial polish, feel free to reach out.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Endorse Simon Hopkinson2 Reviews
Simon is a hero in the studio, it doesn't matter what instrument, idea or vision you pull out the bag he will actually LISTEN to you (very rare in this current world of 'pro'ducers) and work WITH you to produce something everyone involved can be proud of.
He is happy to add ideas and input while at the same time won't be precious at all if you don't want to use them and will endeavour to create the sound and scope you're aiming to achieve.
Every piece of work I've worked on with Simon has not only met but exceeded my expectations, everything he does meets industry standards.
Simon is not only extremely talented, but is open minded and relaxed throughout the entire process.
Nothing is too much trouble and his commitment to the artist’s vision is invaluable.
I cannot recommend Simon enough, he is without doubt the best producer I’ve worked with.
Interview with Simon Hopkinson
Q: Which artist would you like to work with and why?
A: Metallica or Beyonce. They don't need a reason, let's be honest.
Q: Can you share one music production tip?
A: Practice makes perfect and don't complicate things.
Q: What type of music do you usually work on?
A: Usually this tends to be rock, indie rock, pop or urban music
Q: What's your strongest skill?
A: Taking a recording and producing a commercially viable song
Q: What do you bring to a song?
A: A fresh set of ears, experience, Yes & No's and a professional capture
Q: Tell us about your studio setup.
A: Pro Tools for recording, Logic Pro X for sequencing. Good veins (cabling), excellent AD/DA converters, appropriate microphones /pre's and a relaxed atmosphere. I wouldn't want to bore you with our studio's specification... Message me for more details.
Q: What other musicians or music production professionals inspire you?
A: I have a soft spot for popular drummers, mainly because they inspired me to enter the music industry and learn drums professionally. Too many names to name and it wouldn't be fair to shine light on one or two in particular.
Q: Describe the most common type of work you do for your clients.
A: The majority of clients I work with are upcoming bands & artists looking to create their best piece of work to date. I tend to find myself in the typical 'the modern producer' role in which my client likes input from my experience on how to create an enjoyable and emotional track whilst applying my technical abilities of a professional recording.
- Mixing EngineerAverage price - $100 per song
- ProducerAverage price - $250 per song
- Recording StudioAverage price - $250 per day
- Electric GuitarContact for pricing
- Post MixingContact for pricing
- Live drum trackContact for pricing
- Full instrumental productionContact for pricing
- Lower Than Atlantis
- Muse
- Bring Me The Horizon
- Pro Tools Ultimate
- AVID
- Aston Microphones
- AKG
- Vintage Western
- Mapex
- Kemper
- Golden Age Project



