I'm an assistant mix engineer who's ready to take on SoundBetter, and I take good recordings and turn them into great mixes and masters.
Samantha started to pursue a career in graphic design but soon found out that her real passion is music production. Once Samantha learned about mixing, she decided to apprentice under veteran mix engineer, Daniel Duskin. Samantha quickly learned all that she could under Daniel's wing and now she's trying her hand at mixing on her own.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
AllMusic verified credits for Samantha GiammarruscoInterview with Mixed by Samantha
Q: Analog or digital and why?
A: Analog. Analog adds a warm, rich sound that digital can't quite match.
Q: Tell us about your studio setup.
A: Solid State Logic AWS 900, Lexicon 480L, AMS RMX16, Eventide H3000, Distressor, Neve 33609, 1176, LA2A, LA3A, dbx160, 1178, Fatso, LA4A, Pultec, TubeTech, Lavry Gold. Monitors: Yamaha NS10, Barefoot MM27, Auratone 5C.
Q: What's the biggest misconception about what you do?
A: Mixing is often mistaken for Mastering. Mixing deals with all of the recorded tracks/channels while Mastering only works with two tracks/channels
Q: What other musicians or music production professionals inspire you?
A: Chris Lord Alge, Andy Wallace
Q: Can you share one music production tip?
A: Don't listen to music production tips, learn from experience.
- Mixing EngineerAverage price - $250 per song
- Mastering EngineerAverage price - $70 per song
Typical turnaround time of 2 to 4 days, up to 2 revisions included $40 per revision after that. Please include your rough mix with your multi-tracks.
- Solid State Logic AWS 900
- Lexicon 480L
- AMS RMX16
- Eventide H3000
- Distressor
- Neve 33609
- 1176
- LA2A
- LA3A
- dbx160
- 1178
- Fatso
- LA4A
- Pultec
- TubeTech
- Lavry Gold. Monitors: Yamaha NS10
- Barefoot MM27
- Auratone 5C.
