Aston Fearon

Mixing and Production

Aston Fearon on SoundBetter

Freelance mix engineer and remote studio available for mixing projects.

With over 10 years of experience in music technology and production; I undertake both live sound engineering and studio mixing as well as music production work. I have an ear for musicality, a knowledge of cutting edge technology and a commitment to the clarity of high quality audio. Artists I have mixed have won Brit awards, NME awards and Mercury awards, had number one songs in the UK charts and had platinum records. Recorded music I have mixed has been distributed to iTunes, Amazon, Spotify and played on BBC Radio.

You might be an independent artist, band or record label that has recorded a single, EP or album and need an engineer to mix/ master it. You can send your raw audio files to me securely to mix, making it sound great so that the songs themselves can shine. Once mixed; it will be ready for professional promotion, release and distribution. This is often the most cost effective way to go about things while still receiving professional sounding mixes.

Please feel free to contact me about your latest project.

Would love to hear from you. Click the contact button above to get in touch.

Interview with Aston Fearon

  1. Q: What advice do you have for a customer looking to hire a provider like you?

  2. A: When sending in audio for remote mixing make sure you have recorded with a good signal level (but not distorting) and no background noise. Send high quality audio files rather than mp3s- Wav usually works best. Also have all the audio files labelled e.g. Kick, Snare, Hats, Main Vocal 1, Backing Vocal 2 etc.

  3. Q: Tell us about your studio setup.

  4. A: I use music technology tools from some of the most respected brands in the industry such as: AKAI MPC Renaissance, KRK and Sennheiser SPII Monitors and Pro Tools 12- as well as a variety of plugins from IK Multimedia, Izotope, Soundspot, Softube, Tokyo Dawn Labs, FXpansion and Slate Digital.

  5. Q: What's the biggest misconception about what you do?

  6. A: Many would say that it is easy for artists to record and produce their own music without any help from sound engineers or music producers. However, sound engineers and producers have spent thousands of hours learning and sharpening their craft and a good one is able to make the production process a smooth one, helping to produce a work of art that an artist won't be able to achieve alone.

  7. Q: What was your career path? How long have you been doing this?

  8. A: I went to a Saturday school learning live sound once a week in 2003. From 2005 I have been producing my own music. From 2006 - 2008 I went from assisting recording sessions to running them (production, recording, mixing) in my home town. In 2007 I graduated with a double Distinction in Music Technology from NCN Clarendon in Nottingham, England. I have been involved in music technology since then.

  9. Q: What other musicians or music production professionals inspire you?

  10. A: Artist who aim at high standards of artistry and creativity, showcasing truth and beauty with expression.

  11. Q: What's your 'promise' to your clients?

  12. A: I promise to deliver work to a high standard and treat every project with as much care as if I was the artist, as if it was my own.

  13. Q: What questions do you ask prospective clients?

  14. A: Who are your musical influences? Tell me more about the project? How would you like it to sound?

  15. Q: Can you share one music production tip?

  16. A: Less is often more. Keep it simple and employ tools and techniques only when they are needed or they add something to the song.

  17. Q: What type of music do you usually work on?

  18. A: I work on a variety of different genres. The music I like best is that which has soul and comes from the soul and has a positive message to share.

  19. Q: What's your strongest skill?

  20. A: My strongest skill I think might be my ears. My ability to hear music and make changes that sound clear and musical- and have an emotional impact wherever it will be heard.

Aston Antony, Time | 100 (this track is mixed but not mastered)

I was the Mixing Engineer and Producer in this production

Terms Of Service

3 Revisions, work to be credited.

Gear Highlights
  • Pro Tools 12
  • AKAI MPC Renaissance
  • KRK and Sennheiser SPII Monitors
  • a variety of plugins from Izotope
  • Tokyo Dawn Labs
  • FXpansion and Slate Digital etc.
More Photos
More Samples
SoundBetter Deal

Discounts for multiple songs for EP/ Album mixing.