We live and breathe sound and creation. Bringing creativity and love into our producing, recording, mixing, and mastering sets us apart. Being musicians ourselves, we treat every project or session with the upmost respect to make it as great and unique as possible. An authentic sound AND feeling is what we're about and we'll work until we get it.
Blind Moose Studios was co-founded by Daniel Carr and Tommy Carr. We have been active for 5 years but have 10+ years of experience creating and producing music prior to creating Blind Moose Studios. Since opening in 2014, we've worked with just about a 100 artists from mostly around New England but have worked with artists from around the country. Self-proclaimed chameleons, we don't stick to one way of doing things or one type of genre and our work shows that! We love to create sound and music, we don't concern ourselves with limitations and certain "acceptable" ways of doing things because creativity in the studio is very important to us. Keeping things fresh and inspiring while working with and respecting our artists is something we stress for every session. Being musicians ourselves we understand the other side of producing music, and we want to be facilitators in creating a lasting and beautifully sounding piece of art. We look forward to working on every project that comes through our door. Please reach out and talk to us so we can work together :)
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
- Prince Royal
- King bongo
- Chad Browne-Springer
- Greetings...
- James Bird
- Langosta
- Queen Moo
- The Amphibious Man
- Bilge Rat
- Bread Pilot
- Honch
- Eugene Junior
- Humidity
- Mantis
- Professor Z
- Souls Of Zion
- heretodaystonedtomorrow
- Dave Coffeey
- Dogs of Moscow
- Cody Altieri
- Mild Monk
- SLOOF
- Sarah Rose Trio
- Rj Larussa (Director)
- Crag Mask
- Art School Girls
- Glambat
- Spectral Fangs
- Meatball Submachine Gun
- City Streets Country Roads
- New Amsterdam Nobles
- Brent Stroud
- Fat Randy
- Phat A$tronaut
- Kevin Whitton
- Phat Astronaut
- Maple Brown
- Skull Kid
- Kermodei
- Dead Rover
- Meaux Jeaux
- Stellar Wave
- Lovely
- Cult Vacation
- Eel People
- Samuel Sandoval
- Mandala
- Thomas Career
- Hamms Odyssey
- Tango Mango
- X60 Evergreen
- Nick Kearney
- Pacho Loco
- Donnie Alexzander
- Quentin Shapiro
- Jay Brodski
- Bruvs
- Breeze Driver
- Matt Venora
- Jack Moore
- Spiller
- Matt Meigs
- Rob Santos
- Chris Mullens (Director)
- Stadia
- Laura Wolf
- Mal Devisa
Interview with Blind Moose Studios
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mood Ring by Stadia, it was a beautiful and lengthy process but was such an adventure from beginning to end. The tracks came together so well and it was such a natural organic project. Currently streaming everywhere :)
Q: What are you working on at the moment?
A: Recording, Mixing and mastering projects
Q: Analog or digital and why?
A: Both are amazing
Q: What's your 'promise' to your clients?
A: To always treat them and their work with respect, love and energy
Q: What do you like most about your job?
A: The ability to create beautiful sounds and help other artists achieve the sound they are looking for
Q: What's the biggest misconception about what you do?
A: That it is a formulaic process and that there is right and wrong.
Q: What questions do you ask prospective clients?
A: I often ask about goals, sound styles, deadlines, payment types and references if necessary
Q: What advice do you have for a customer looking to hire a provider like you?
A: Trust your gut and see which provider best suits your style, goals and lifestyle. Work with someone who you think will not just work for themselves or the paycheck but who wants to truly help.
Q: What was your career path? How long have you been doing this?
A: 15+ been a lifelong musician and naturally started recording myself and picking up the skills along the way.
Q: How would you describe your style?
A: Organic
Q: Which artist would you like to work with and why?
A: Any artist that is serious about their craft and wanting to take their sound to the next level
Q: Can you share one music production tip?
A: Trust your ears!
Q: What type of music do you usually work on?
A: Really everything, but lately Alternative, some Indie Pop, Hip-Hop, some Indie Rock
Q: What's your strongest skill?
A: Trusting my ears
Q: What do you bring to a song?
A: Energy, movement, quality, and better sound
Q: What's your typical work process?
A: It changes from every project, but it always is based around treating the song right
Q: Tell us about your studio setup.
A: We use a hybrid approach that uses digital and analog approaches in unison and use creative thinking and precision to get the most out of a record
Q: Describe the most common type of work you do for your clients.
A: Recording, Mixing and Mastering projects of all sizes and genres!
- Recording StudioAverage price - $400 per day
- Mixing EngineerAverage price - $250 per song
- Mastering EngineerAverage price - $90 per song
- Beat MakerAverage price - $500 per song
- EditingAverage price - $200 per track
- ProducerAverage price - $600 per song
- RemixingAverage price - $300 per song
- Tascam 388
- Allen & Heath Studio 8-24 Track Console
- Warm Audio 1176
- DBX 160x
- Lexicon Stereo multi-FX
- BBE Maximizer
- Belani Single-channel Tube Pre
- Many pedals for REAMP
- 1967 Fender Bandmaster
- 1960's Drumset
- Various Amps and goodies