Tim is a music composer for film and television. His original scores mix immersive electronic and acoustic sounds to create a soundscape that is both inspirational and compelling.
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Interview with Timothy Mann
Q: Can you share one music production tip?
A: Don't settle. Copying someone else will only make a bad copy. Do your own thing and don't stop until you find it.
Q: Tell us about your studio setup.
A: I work on a Pro Tools based system based around a Universal Audio Apollo and Focal Solo 6be monitors. I mix mostly in the box but do use a few pieces of outboard gear to achieve the sound i want
Q: What other musicians or music production professionals inspire you?
A: People that push envelopes, stretch themselves creatively and strive to do something new
Q: Describe the most common type of work you do for your clients.
A: I most commonly work with an artist from the start of the project, participating in every step to get the best possible result for the client
I was the Composer, Engineer, Mixer in this production
- Film ComposerAverage price - $300 per minute
- Full instrumental productionContact for pricing
- Sound DesignAverage price - $300 per minute
- Mixing EngineerAverage price - $400 per song
- Electric GuitarAverage price - $150 per song
- Keyboards - SynthAverage price - $150 per song
3 Revisions per song
2 week Turn Around Time (Quicker if Necessary)
- Neve 1073
- API 312
- 1176 Rev A
- Apollo 8
- Focal Solo 6be Monitors
- Various Synths (Dave Smith
- Moog
- Korg)
