Jun Yang Ng

Mixing Engineer

1 Review
Jun Yang Ng on SoundBetter

Hi! I'm Yang, a recording/mixing/mastering engineer. I'm dedicated to delivering quality mixes for clients at an affordable rate.

Yang is a recording, mixing, mastering, live sound engineer, based in New York since 2016. His work has been featured in major publications such as The New York Times, All About Jazz, Rolling Stones India, Alt Press, Flood Magazine and many others. His credits include Grammy award winning trumpeter Shunzo Ohno, Kinah Azmeh, international touring act, Sammy Rae and Friends, Nir Felder, established bands and artists such as Marcelo Maccagnan, Simona Smirnova, MX Lonely, Joel Young, John Timpanelli, Jacob Khalil and many more.

He was the staff engineer for established studios such as Virtue and Vice Studios, Rift Studios, and worked as an engineer for Jerry Barnes(Chic).

As a live sound engineer he has worked as a FOH, monitors and broadcast engineer for multiple music festivals such as, Montclair Jazz Festival, AAPI Jazz Festival, Queen City of The Sound International Jazz Festival, etc. He has worked with John Clayton, Herlin Riley, Donald Harrison, Davell Crawford, Cigarettes After Sex, and many others.

Would love to hear from you. Click the contact button above to get in touch.

1 Reviews

Endorse Jun Yang Ng
  1. Review by Guan-Hau C.

    Jun Yang is a really solid producer/engineer. He not only produce, record, mix and master good stuff but also really easy to reach out and communicate. You will really enjoy your time working with him.

Interview with Jun Yang Ng

  1. Q: What's your typical work process?

  2. A: 1. Listening to the song and understanding what is the general feel/vibe of it. 2. Searching for references if not provided. 3. Developing a 'sound' in my head for the song. 4. Mix to achieve that 'sound'.

  3. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  4. A: This was my very first EP production that i was hired for after graduating. I was hired as producer, recording and mixing engineer by Category 9, a boston based rock n roll band. The reason why i was proud of it is, we definitely worked with what we had at that point, which was actually not much. But we made it work and I consider it as one of my proudest works.

  5. Q: Analog or digital and why?

  6. A: Hybrid. I'm a firm believer in what analog can bring to the sound, but also believe in the efficiency of today's digital technologies.

  7. Q: What questions do you ask prospective clients?

  8. A: How do you envision the song? What's the vibe you're going for?

  9. Q: What was your career path? How long have you been doing this?

  10. A: I've been based in New York since 2018 and have been lucky enough to be given the opportunity to work with notable producers and recording studios like Jerry Barnes and Virtue and Vice and Rift studios.

  11. Q: Can you share one music production tip?

  12. A: Smart and effective decisions. I always ask myself if this element serves the music.

  13. Q: What's your strongest skill?

  14. A: I consider mixing my strongest skill set. Being able to craft a song sonically, so all elements are cohesive and presented as one.

  15. Q: Tell us about your studio setup.

  16. A: I mix mainly ITB, but have a range of analog gear to choose from, essentially I mix using a hybrid set up. Gear includes, 1176, LA2A, LA4A, Distressors, Neve 1081s, Chandler TG2 etc.

  17. Q: What's your 'promise' to your clients?

  18. A: Communicative, mutual respect, and being able to deliver what was promised.

  19. Q: How would you describe your style?

  20. A: Adaptive. As an audio engineer, I believe my job is largely to serve the clients. Understanding their request and needs and delivering the product that best fits their project.

  21. Q: What type of music do you usually work on?

  22. A: I primarily love the heavier stuff, progressive rock, hard rock, etc. But i do get request to work on alot of other genres like, RnB, Pop, Folk to Jazz.

  23. Q: Describe the most common type of work you do for your clients.

  24. A: Recording and mixing are what I'm most commonly hired for.

Rest In Salt by MX Lonely

I was the recording, mixing engineer and drummer in this production

Terms Of Service

I charge a flat fee for mixing, which includes revisions. Typical turn-around time is usually 3-5 days from projection confirmation. No additional cost, what we agreed on is what I will bill.

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