Hi! I'm Yang, a recording/mixing/mastering engineer. I'm dedicated to delivering quality mixes for clients at an affordable rate.
A graduate from Berklee College of Music. I have been freelancing since, working on various productions, recording sessions, mixing and mastering for various clients.
I also work for notable producer and recording studio, Jerry Barnes and The Aggregate Studios serving as their Audio Engineer and Studio Manager.
Providing quality audio, services to clients is of upmost importance to me.
Achieving a product both me and my clients can be proud of is my goal.
Contact me for your audio needs. I look forward to hearing from you!
Send me a note through the contact button above.
- Category 9
- Dalia & The Big Violin
- Gregory Wilson
- Jerry Barnes (Chic)
- Francis Mbappe
- Doctor Delia
- Career Boy
- VINNIE VIDAL
- Gadee Levy
- Sherrod Barnes
- Goods & Services
- Shunzo Ohno
- Chen Guan Hau
- Truth Faded
- Bill Waters
- Mach Dharma
- Jake Schwartz
- Vernardos Circus
- Talha Alvie
- Summer Dennis & Rhymes
- Elif Sanchez
- Owen Chen Trio
- Aimée Allen
- Martina DaSilva
- Dan Chmielinski
- Dhruv Bhan
1 ReviewsEndorse Jun Yang Ng
Interview with Jun Yang Ng
Q: Tell us about your studio setup.
A: At work, we use a 24 channel vintage neve 8026, fitted with 1084 pres, 48 on mix down, with a wide variety of outboards, like the API 2500, dbx 160VU, 1176 etc, we then have 2 Lynx Aurora 16s as our converters.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: This was my very first full EP production that i was hired for after graduating. I was hired as producer, recording and mixing engineer by Category 9, a boston based rock n roll band. The reason why i was proud of it is, we definitely worked with what we had at that point, which was actually not much. But we made it work and I consider it as one of my proudest works.
Q: Analog or digital and why?
A: Hybrid. I'm a firm believer in what analog can bring to the sound, but also believe in efficiency in today's fast pace industry. I'm lucky enough to have access to a wide variety of analog gear to use while tracking, but prefer to keep my mixes fully 'in the box'.
Q: What's your 'promise' to your clients?
A: Communicative, mutual respect, and being able to deliver what was promised.
Q: What was your career path? How long have you been doing this?
A: I've been based in New York since Jan 2019, and have been lucky enough to be given the opportunity to work with notable producers and recording studios like Jerry Barnes and Virtue and Vice. I have been doing this professionally for close to a year now.
Q: How would you describe your style?
A: Adaptive. As an audio engineer, I believe my job is largely to serve the clients. Understanding their request and needs and delivering the product that best fits their project.
Q: Can you share one music production tip?
A: Smart and effective decisions. I've always asked myself if this element serves the music or is it just serving my or my client's ego.
Q: What type of music do you usually work on?
A: I primarily love the heavier stuff, progressive rock, hard rock, etc. But i do get request to work on alot of other genres like, RnB, Pop, Folk to Jazz.
Q: What's your strongest skill?
A: I consider mixing my strongest skill set. Understanding what the song needs, which are it's stand out elements that drives the song and what are it's fill in elements, then working my mix around those.
Q: What other musicians or music production professionals inspire you?
A: My bosses inspire me alot. Anthony 'rocky' Gallo, owner of Virtue and Vice Studios, NY, where im currently working at. Whatever he has achieved so far is something I strive for in my career path.
Q: Describe the most common type of work you do for your clients.
A: Recording and mixing are what I'm most commonly hired for.