Be Hussey

Grammy Recorder & Mix Engineer

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6 Reviews (6 Verified)
Be Hussey on SoundBetter

Grammy Award-winning recording engineer and mixer brings detailed attention to your tracks to bring them to life.

Mixing is in the details. I am a Grammy Award-winning recording engineer and mixer with extensive experience in indie rock, shoegaze, post-punk, dark electronic, and alternative genres. As a studio owner in the Los Angeles-area studio for over 15 years, I am also an active touring musician and will bring a unique sonic perspective to your work.

The audio player contains a 5-minute sampling of various work. View the complete discography on Discogs.

Send me an email through 'Contact' button above and I'll get back to you asap.

Credits

Discogs verified credits for Be Hussey
  • Morsel
  • Morsel
  • Ariana Delawari
  • Tess Shapiro
  • Radar Brothers*
  • Guides
  • Guides
  • Guides
  • Historian
  • Historian
  • Tangients
  • Tangients
  • Various
  • Morsel
  • Morsel
  • Morsel
  • Hail Citizen
  • Scaredycat (3)
  • Arthur C. Lee with Whit Walker
  • Dwight Trible
  • Star Maps
  • First Circuit
  • Go West Young Man
  • Miguel Atwood-Ferguson
  • Tess Shapiro
  • Rucky Punch
  • Radar Brothers*
  • Scaredycat (3)
  • Guides
  • Kim Deal, Morgan Nagler
  • Peaking Lights
  • Various
  • Guides
  • Guides
  • Historian
  • Various
  • Sad Lovers & Giants*
  • Arthur C. Lee
  • Historian
  • Haunted Summer
  • Luckyandlove*
  • Choir Boy (2)
  • Tangients
  • Soft Kill
  • Various
  • Junkpile Jimmy
  • Darryl Blood
  • Twin Tribes
  • Ötzi (2)
  • Tangients
  • Various
  • Lucky+Love
  • Jimbo Pap
  • Cold Showers
  • Just Mustard
  • Same Eyes
  • SRSQ
  • Boy Harsher
  • Ash Code
  • Crack Cloud
  • Screaming Dead
  • Morsel
  • Morsel
  • Morsel / Cigarhead
  • Morsel
  • Morsel
  • Morsel
  • Various
  • Tadd Mullinix
  • Morsel
  • Various
  • Matthew Dear
  • Morsel
  • James Cotton*
  • Various
  • Various
  • Various
  • Dabrye
  • Medusa Cyclone
  • theStart
  • Various
  • Various
  • Various
  • psiloveyou*
  • John Vorus
  • Promis
  • Hail Citizen
  • Various
  • Ariana Delawari
  • Jeremy Porter
  • The Radar Bros.*
  • Hail Citizen
  • Sasquatch (6)
  • T-Model Ford & GravelRoad
  • Turn On The Sunlight
  • Various
  • Radar Brothers*
  • Scaredycat (3)
  • Matteran Ghost
  • Build An Ark
  • Adam Rudolph's Moving Pictures With Organic Orchestra Strings
  • Gaby Hernandez
  • The Damselles & The TC4
  • Arthur C. Lee with Whit Walker
  • Mia Doi Todd
  • Dwight Trible
  • Star Maps
  • The Gaslamp Killer
  • Nick Rosen (2)
  • Joey Dosik
  • First Circuit
  • Jon Bibbs
  • Cut Chemist
  • Carlos Niño & Friends
  • Cut Chemist
  • Particle Kid
  • Sonnymoon
  • Vulfpeck
  • Miguel Atwood-Ferguson
  • Tess Shapiro
  • Rucky Punch
  • Haunted Summer
  • Kim Deal
  • Radar Brothers*
  • Scaredycat (3)
  • Guides
  • Deadbeat Debauchery
  • Quartetto Fantastico
  • Miguel Atwood-Ferguson
  • Kim Deal, Morgan Nagler
  • Vox Populi! & Pacific 231 (2)
  • Various
  • Guides
  • Guides
  • Historian
  • Brendan Eder Ensemble
  • Vulfpeck
  • Cut Chemist
  • Lianne La Havas
  • Cassie Brandi
  • Various
  • King Mud
  • Sad Lovers & Giants*
  • The 1975
  • Carlos Niño & Friends
  • Céu
  • Arthur C. Lee
  • Historian
  • Michelle Coltrane (2)
  • Wand (2), Darto
  • Haunted Summer
  • Luckyandlove*
  • Carlos Niño & Friends
  • Choir Boy (2)
  • Tangients
  • Soft Kill
  • Earth Moon Earth
  • Various
  • Les Biches (2)
  • Twin Tribes
  • Pinkshinyultrablast
  • Ötzi (2)
  • Various
  • Cut Chemist
  • Céu
  • Tangients
  • Various
  • Lucky+Love
  • Apex Manor
  • The Cinematic Orchestra
  • Vivian Girls
  • Jimbo Pap
  • Dexter Story
  • Nothing (12)
  • Cold Showers
  • Just Mustard
  • SRSQ
  • Boy Harsher
  • Peaking Lights
  • Ash Code
  • Crack Cloud
  • She Past Away
  • Ziegfeld (2)
  • Ziegfeld (2)
  • Screaming Dead

6 Reviews - 2 Repeat Clients

Endorse Be Hussey
  1. Review by Dcline One
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    Be went above and beyond for me by turning our project into a great learning experience. Highly recommended. A pleasure to work with. Thanks a million!

  2. Review by Dcline One
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    Working with Be was a breeze and a pleasure. Great communication and great attention to details. I'm super happy with the outcome. Looking forward to my next project with Be.

  3. Review by chad p.
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    My writing partner and I were having problems with mixing the vocals and the instrumentation together, however Be was able to make sense of the material and create something pretty spectacular. I'm super impressed and would use him again.

  4. Review by Chris K.
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    Be did an excellent job co-producing, engineering and mixing several of my tracks. He is able to take my ideas and help make them happen exactly as I am imagining them. Conversely he also has the ability to take my strange ideas or experiments and help make them sound very musical. He's very easy to work, dependable and has a great ear. The final mixes sound amazing. I highly recommend him!

  5. Review by Jeremy O.
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    Be takes my effects laden musical meanderings and turns them into polished songs. He intuitively adds his own creative touches and has a keen ear for what the song "needs". He has also been a wealth of information of vinyl pressing, mastering, mics, compressors, preamps....all things music ;). Always a pleasure.

  6. Review by Jeremy O.
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    I sent Be a track with way too many reverbs, phasers, delays and off kilter vocals - he sent me a perfectly mixed song, well balanced, intuitively focused the vibe of the song. Highly recommend.

Interview with Be Hussey

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I think I'm always excited about the latest thing I'm working on! The new Haunted Summer record, which we are completing this week, has a ton of my production ideas (as well as some drum/bass playing), some unique recording tactics, as well as a thick, juicy mix! Being able to focus on one song per day during tracking really opened up the record. It allowed for several "happy accidents", which can be used and celebrated, making a bunch of "sonic memories." I believe in making the recording process AN EXPERIENCE—That way there is an energy that will be captured and imprinted on your tracks.

  3. Q: Analog or digital and why?

  4. A: I am definitely both analog AND digital. Digital for the brain, analog for the body.

  5. Q: What questions do you ask prospective clients?

  6. A: I ask what they want to achieve. May artists are very detailed in their answers, that is, many artists know what they want. Sometimes, the artists are looking to me for support and guidance, which is great as well.

  7. Q: What advice do you have for a customer looking to hire a provider like you?

  8. A: I would suggest doing some research and looking for someone who can understand your vision sonically.

  9. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  10. A: This is a difficult one! I'd try to keep it simple with rugged dynamic mics small pre-amps and maybe a little 4-track cassette machine. Why complicate it? OK, maybe ONE Distressor since it's so versatile. Also, I would hope that this island had some AC power. If not, I would just take 4 drums and an acoustic guitar—Keep it tribal/campfire inspired.

  11. Q: How would you describe your style?

  12. A: I have a thick and deeply sonic style, which fully complements the artist I record and mix.

  13. Q: Which artist would you like to work with and why?

  14. A: Brian Eno. I like his approach to music. It's conceptual, as well as art.

  15. Q: What type of music do you usually work on?

  16. A: Indie rock, post-punk, electro, space rock, acoustic, dream pop, shoegaze. Sometimes a hint of alt-country, and left-leaning hip hop but not very often.

  17. Q: What's your strongest skill?

  18. A: My strongest skill is making any track sound good, whether it be from a major studio or from a bedroom. In other words, result-oriented, multi-faceted creative problem solving through audio twisting and harnessing.

  19. Q: What's your typical work process?

  20. A: I try to get a full understanding of the music, and what I'm working with before I begin a project.

  21. Q: Tell us about your studio setup.

  22. A: I have a hybrid digital and analog commercial studio in LA-area, featuring Pro Tools HD (24 in / 32 out), 2" and 1/4" analog tape, a large analog console, a great tracking room, and a giant rack of juicy outboard gear.

  23. Q: Describe the most common type of work you do for your clients.

  24. A: I do most of my work at my LA studio digital / analog hybrid studio "comp-ny." My projects range from full album recording and mixing, to string section engineering. I'm most often asked to record (record/mix/master) Part Time Punks sessions, which are inspired by the historical Peel Sessions. I've had the chance to work with many classic and new artists in this way.

  25. Q: What questions do customers most commonly ask you? What's your answer?

  26. A: Do you have a drum kit !? Yes!

  27. Q: What other musicians or music production professionals inspire you?

  28. A: I am inspired daily by so many artists and producers. I am a sonic learner.

  29. Q: What are you working on at the moment?

  30. A: I'm usually mixing Part Time Punks sessions; "Live in the studio" sessions based on the famous Peel Sessions of by John Peel at the BBC throughout the 80s & 90s. Some amazing bands come through here and I have the pleasure of recording, mixing, and mastering them.

  31. Q: What's your 'promise' to your clients?

  32. A: My promise is that I'll focus on your project as if it were my own.

  33. Q: What do you like most about your job?

  34. A: I love the challenge of mixing diverse elements and sounds into a cohesive and exciting mix.

  35. Q: What was your career path? How long have you been doing this?

  36. A: Over 15 years in my LA studio comp-ny, and before that I studied and toured for a decade, honing the ears and learning and practicing the craft.

  37. Q: Can you share one music production tip?

  38. A: Make final decisions often and early.

  39. Q: What do you bring to a song?

  40. A: I can hear the big "picture" of a song and guide the mix to achieve the artist's vision.

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BE HUSSEY AUDIO REEL

I was the Engineer and Mixer in this production

Terms Of Service

Mix rate includes the mixing of one song, including revisions and instrumental. Usual turnaround is 1 week or less.

GenresSounds Like
  • My Bloody Valentine
  • Joy Division
  • Slowdive
Gear Highlights
  • ProAc Studio 100 Monitors
  • Adam A7x monitors
  • UA 1176
  • UA 2-610
  • Retro Powerstrips
  • Neve 1272s
  • Calrec 1181s
  • Ampex ATR800 1/4"
  • Otari MX-80 2"
  • Tape echoes
  • Pro Tools HD
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