Jason Slota

Session and live drumming

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7 Reviews (1 Verified)
Jason Slota on SoundBetter

I've recorded drums and percussion on over 100 albums. I am motivated by finding the right part for each song. Feel, groove, and musicianship are at the heart of what I do every time I sit down at the drum set. I focus on finding the right tones and getting the best performance for your track.

I grew up as a classical percussionist and spent my formative years learning mallet percussion as well as drum set. That background gives me the musicality and phrasing to develop unique and musical drum parts for any given song. In my life as a drummer, I have performed all over the world and recorded multiple styles including Rock, Pop, Indie, Hip Hop, Jazz, Swing, Afrobeat, Metal, Country, Blues, Americana, Swing, Disco, and Punk. Currently I am the house drummer at Tiny Telephone Recording in San Francisco and Oakland. I also work as the touring drummer for Thao & The Get Down Stay Down and Pop Up Magazine (Magik Magik Orchestra) and proudly endorse C&C Custom Drums.

I track at my home studio in Oakland, CA. I own multiple modern and vintage drum sets, dozens of snares, bass drums from 20"-28", and too many cymbals. I have a great collection of drum mics and preamps (12 channels). In addition I can add vibraphone, glockenspiel, and any other percussion your song might need.

I'm easy to work with and my communication is strong. I'm honest and transparent about the whole process.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Credits

AllMusic verified credits for Jason Slota
  • tUnE-yArDs
  • Dear Reader
  • Samantha Crain
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • Thao & the Get Down Stay Down
  • John Vanderslice
  • John Vanderslice
  • John Vanderslice
  • John Vanderslice
  • Thao & the Get Down Stay Down
  • Release The Sunbird
  • John Vanderslice
  • Magik Magik Orchestra
  • John Vanderslice
  • Magik Magik Orchestra
  • John Vanderslice
  • Magik Magik Orchestra
  • Brass Menazeri Balkan Brass Band
  • Brass Menazeri Balkan Brass Band
  • John Vanderslice
  • John Vanderslice
  • John Vanderslice
  • John Vanderslice
  • Holly
  • Holly
  • Holly
  • Holly
  • Space Blaster
  • Craig
  • Craig Helmreich
  • Craig
  • Craig Helmreich
  • It's Just Craig
  • It's Just Craig
  • Debbie Neigher
  • Jack Perla
  • Jack Perla
  • Japonize Elephants
  • Japonize Elephants
  • Japonize Elephants
  • Japonize Elephants
  • Louiza
  • Forest Hill
  • Forest Hill
  • Jinkx Monsoon

7 Reviews - 1 Repeat Client

Endorse Jason Slota
  1. Review by Travis C.
    starstarstarstarstar
    check_circleVerified

    Great playing and recording quality. Jason was responsive with an incredibly quick turn-around for an original part that fit the song well. We've already reached out for parts on another track.

  2. Review by seth p.
    starstarstarstarstar

    Working with Jason is like sliding into a warm glove. He remotely recorded 7 tunes for me and gave reasonable revision guidelines.

  3. Review by Tim Walter
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    by

    Jason is the complete package in personality, performance, and professionalism. Few people can talk about diverse styles of music from afrobeat to black metal into the avant, yet alone play them. Jason has the rhythmic vocabulary to playperform what others dare to dream, developed from direct experience on international stages from the African coast to the jungles of Vietnam. His limbs have it all - with a great selections of drums, cymbals, mics and tuning know how to bring it all together. The quality of performance and recording leaves nothing for want of - other than improving yourself!

  4. Review by Ben Bernstein
    starstarstarstarstar
    by

    Jason is an A list drummer who instinctively knows the right part and feel for every track I send him. I’m often pleased with the very first
    take!

    Furthermore, his gear matches his talents as a drummer and the tones are ainfir

  5. Review by Greg H.
    starstarstarstarstar

    Jason was at my first ever session at Tiny Telephone SF waaaay back in 2011. In fact, outside of myself, he was the only other musician on the record (he did handclaps... what can I say? I'm a slow burn). We've since performed live together about 50 times, and is the drummer on the latest double LP. In addition to his incredible skill as a drummer, he is also my go-to opinion for mixes, arrangements, and production. Jason's an asset to any ensemble. He also tells great dad jokes.

  6. Review by Matthew Caucci
    starstarstarstarstar
    by

    Jason Slota is an amazing drummer. He has a huge musical vocabulary. He understands the song you are working on, where it's going, what it needs, and he wants to make it as great as it can be. Whatever that requires. He's technically excellent. That means if you want some odd time signature jazz fill, or Bonham-esque thunder, or straight up driving beat, he can do that. He's a professional. Great musicians trust his instincts, and they like to work with him because he's super laid back and easy to talk to. In short, technically excellent + perfect ear + easy going guy = what you need.

  7. Review by Travis Andrews
    starstarstarstarstar
    by

    I've been fortunate enough to place with Jason a bit over the past few years, and have been totally blown away by his feel and professionalism. He has a deep pocket! And a huge array of sounds, too. The kick drum samples that I use on all the sessions that I mix come from a session produced by Slota. Anyone who has Jason on a track should feel lucky.

Interview with Jason Slota

  1. Q: What are you working on at the moment?

  2. A: Tracking for the next Thao & The Get Down Stay Down album, working with a Chinese singer songwriter on some dark Indie rock, and prepping for some touring.

  3. Q: Analog or digital and why?

  4. A: Yes. Both offer sounds and textures the other is incapable of. Both offer work flows that cannot be obtained by the other. Having the ability to do endless takes on a digital platform is both enticing and a hindrance to the performer.

  5. Q: What was your career path? How long have you been doing this?

  6. A: I started taking drum lessons at my local music store when I was six. I've been at it ever since.

  7. Q: How would you describe your style?

  8. A: groove, pocket, and musicality.

  9. Q: Which artist would you like to work with and why?

  10. A: Quincy Jones. There aren't too many people who have such a deep connection with and understanding of how a song can go from a whistled tune in the shower to something the whole world listens to.

  11. Q: Can you share one music production tip?

  12. A: Don't play the Hi hat too loud. It gets into everything.

  13. Q: What type of music do you usually work on?

  14. A: The broadest term possible, rock

  15. Q: What's your strongest skill?

  16. A: Musicianship

  17. Q: What do you bring to a song?

  18. A: Musicianship, groove, and feel. I am able to quickly find a creative part for the track that elevates the song without overplaying.

  19. Q: What's your typical work process?

  20. A: I talk (or email) with the client and get an understanding of what the goal is and listen to any style suggestions. I then put the guide track into Logic and write out a form chart. I record a demo mp3 of the song and send it to the client. Two revisions later, we usually have a final take!

  21. Q: Tell us about your studio setup.

  22. A: I record through a Universal Audio Apollo interface and Logic X. My mic setup changes depending on what is needed for a track. I often use many of the following mics in my tracking...matched pair Coles 4038, matched pair Josephson c42, Microtech Gefell UMT 70s, BeyerDynamic M88 and M201, EV RE20, Sennheiser 421's, plus the ever useful SM57, D6, and EV 635. Pre's include UA 4-701d, API 512c, BAE 312a, and a pair of Fredenstein F601a

  23. Q: What other musicians or music production professionals inspire you?

  24. A: I'm inspired by anyone who is passionate about what they do.

  25. Q: Describe the most common type of work you do for your clients.

  26. A: Tracking drums and percussion for songwriters

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Tune-Yards - Hammer

I was the drummer in this production

Terms Of Service

Maximum of 2 revisions per song. More revisions can be done. Contact me for further details. Payment needs to be completed (Paypal or Venmo) before files are delivered.

GenresSounds Like
  • Thao & The Get Down Stay Down
  • John Vanderslice
  • Strand of Oaks
Gear Highlights
  • Among other things...Drum sets by Cravitotto
  • Ayotte
  • Rogers
  • C&C
  • and Ludwig. Musser One-Nighter Vibraphone
  • Musser M645 Glockenspiel. Mics by Coles
  • Microtech Gefell
  • and Josephson. Pre amps by UA
  • API
  • BAE
  • and Fredenstein.
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More Samples