Mike Schoonmaker

Mastering Engineer

3 Reviews
Mike Schoonmaker on SoundBetter

Credits with They Might Be Giants, The Courtneys and more. Mike Schoonmaker is the chief engineer as well as owner at Gigantic Mastering: a small mastering studio nestled away in Upstate NY. Every album he works on is approached with the artist's needs in mind: musical and 'tonal' references from the artist as well as unlimited revisions.

Free no obligation full song test mastering before you commit to anything. All projects have unlimited revisions and no payments required until final master delivery.

CD / Digital Mastering
Vinyl Pre-Masters
Hi Res Masters
DDP File Sets

Contact me through the green button above and lets get to work.


AllMusic verified credits for Mike Schoonmaker
  • The Courtneys
  • Sean Madden
  • Jocelyn and Chris Arndt
  • Rival Waves
  • Chaser Eight
  • The Blind Owl Band
  • Rival Waves

3 Reviews

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  1. Review by pete mason

    Mike is one of the best. Consistently hard working and knowledgeable, flexible and always with a fine ear tuned to the bands he works with (both in the studio and live), Mike makes Formula 5 sound incredible. We love working with him and look forward to working with him in the future!

  2. Review by Joe Goehle

    Mike is an excellent engineer. He was attentive to the needs of my project and communicated all of the steps needed to make my album happen. I cannot recommend enough!

  3. Review by Scott Wesp (aka Flip)

    I am extremely pleased with the mastering Mike performed on my latest album. I did not have my first album mastered, and I wanted to step it up with my new album. Mike made the process very simple, and he achieved exactly what I was looking for in regards to the sound of the album. He was extremely flexible, and provided high quality quickly!

Interview with Mike Schoonmaker

  1. Q: Analog or digital and why?

  2. A: Both. Digital is the way today, with modern DAWs and processing... But there's still a certain something special about analog gear that I don't think will ever be replicated in the digital world.

  3. Q: What's your 'promise' to your clients?

  4. A: That you'll never pay before you're happy, and If I can't make you happy, you don't pay!

  5. Q: What do you like most about your job?

  6. A: I work with music all day.

  7. Q: What's the biggest misconception about what you do?

  8. A: Mastering isn't a change-all... It can be, and when a client wants it I'm more than happy to oblige, but I presume an artist is 100% happy with their mix and my first inclination is to keep the master sounding quite like the mix whenever possible.

  9. Q: What questions do you ask prospective clients?

  10. A: What album, song or other artist in general would you recommend I listen to to get a general feeling of the final product you're looking for.

  11. Q: What advice do you have for a customer looking to hire a provider like you?

  12. A: Get a sample master from whomever you're working with, and then 3 more from other engineers. Do a blind listening test to see who you really want to work with without the stigma of names, credits or prices clouding your thought.

  13. Q: What was your career path? How long have you been doing this?

  14. A: I came from the world of Touring, and spent 10 years on Busses and Planes with bands like AWOLNATION, OK Go and They Might Be Giants. Mastering is my passion though, and I've since retired from touring (in 2012) and been doing mastering full time ever since!

  15. Q: How would you describe your style?

  16. A: I add a bit of an analog feel while maintaining the integrity of the mix.

  17. Q: Which artist would you like to work with and why?

  18. A: I LOVE working with artists who know what they want and can verbalize what they're looking for. As much as I love doing what I'd like to do with a master it's really all about what the artist wants.

  19. Q: Can you share one music production tip?

  20. A: Be happy with your mix. Things CAN get fixed in mastering, but 9 times out of 10 the fixes will sound much more natural and cohesive if done in mixing.

  21. Q: What type of music do you usually work on?

  22. A: I work on a lot of indie rock and rock, as well as a fair amount of americana, bluegrass, electronic music and pop... Every day is different, which is why I love my job!

  23. Q: What do you bring to a song?

  24. A: I bring only whats needed. I tend to try and keep my masters sounding as natural as possible while getting a song to a commercial volume and tone.

  25. Q: What's your typical work process?

  26. A: I listen to a lot of music I start working on a project, and tend to occasionally reference a track from a similar genre (or a reference track from the artist) when working on a song or album.

  27. Q: Tell us about your studio setup.

  28. A: My mastering studio is a low acoustic profile studio, meaning that there's as little between myself and my monitors. All rackmount gear is in a low profile and angled rack, and even my mouse/keyboard stand is as small a frame as possible to avoid it causing any low end issues.

  29. Q: Describe the most common type of work you do for your clients.

  30. A: Mastering is what I do full time, with some occasional mixing or production.

The Statue Got Me High (Live in Brooklyn) by They Might Be Giants

I was the Mastering Engineer in this production

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    The Statue Got Me High (Live in Brooklyn) by They Might Be Giants
  2. play_arrow
    Reloading by The Blind Owl Band
  3. play_arrow
    Red Cardinal by Great Moon
Terms Of Service

All sessions are scheduled first come first serve. First masters are typically sent within 24-48 hours of scheduled session and typically 1-2 business day for revisions or final files.

Gear Highlights
  • Bowers and Wilkins Matrix 3's
  • API 2500
  • TK Pro Audio TK-lizer
  • BSS DPR402
  • dbx 160a
  • Universal Audio UAD2 w/ Manley VariMu
  • Manley Massive Passive
  • Dangerous Bax
  • Chandler Curve Bender
  • Shadow Hills Mastering Compressor.
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SoundBetter Deal

Albums or EP's receive Discounts vs Single Songs.