Based at Sensible Music Studios in King's Cross, London, England as managing director as well as a recording, mixing and mastering engineer. Sensible Music has provided services to the music industry for over 35 years having worked with Amy Winehouse through to Whitney Houston, Michael Jackson to Rod Stewart.
I can offer remote mixing services, performed right here in Studio A at Sensible utilising our SSL AWS 948 Delta console and an assortment of outboard equipment and digital 'in the box' solutions. We have outboard from brands such as UREI, API, SSL, Neve, Chiswick Reach and many more.
I am experienced with a wide range of mixing projects varying throughout a range of styles but I guess I'm more specifically known for working with a lot of progressive rock and metal. No challenge is too great! Let's talk!
Would love to hear from you. Click the contact button above to get in touch.
Credits
Discogs verified credits for Shelby Logan Warne- Mathphew
- Prefers To Hide In The Dark
- Pink Eye Club
- Pink Eye Club
- Kyros (3)
- Kyros (3)
- Infraviolet
- Kyros (3) / Synaesthesia (5)
- KYROS (3)
- KYROS (3)
- Bogus Gasman
- Kyros (3)
- Kyros (3)
- Kyros (3)
- Don Trevolta
- Grace Hayhurst
- Kyros (3)
- The Great Manta
- Grim's Proxy Band
- Kyros (3)
- The Great Manta
- Kyros (3)
- Kyros (3)
- Cat Green Eyes
- Kyros (3)
- Infraviolet
- Kyros (3)
- Kyros (3) / Synaesthesia (5)
- KYROS (3)
- KYROS (3)
- Joey Frevola*
- Bogus Gasman
- Various
- Kyros (3)
- Kyros (3)
- Kyros (3)
- Kyros (3)
- Kyros (3)
- Kyros (3)
- Prefers To Hide In The Dark
- Prefers To Hide In The Dark
- Kyros (3)
- The Great Manta
- Pink Eye Club
- Kyros (3)
- Cat Green Eyes
- Cat Fight (2)
- Circuline
- Infraviolet
- Cat Green Eyes
- Kyros (3)
Interview with Shelby Logan Warne
Q: Analog or digital and why?
A: Both! Because each has their strengths. Simple.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't rush. Take your time and find someone who you know you'll work well with.
Q: How would you describe your style?
A: Perfectionist, with a surgical/in-depth approach to mixing. Not afraid to get really stuck in.
Q: Can you share one music production tip?
A: High pass EVERYTHING! And do some surgical EQing on each instrument around the 2k-4k frequency territory and that'll pay off big time and improve the overall sound of the mix.
Q: What type of music do you usually work on?
A: Rock, Pop, Electronic
Q: What's your strongest skill?
A: Tackling complex mixes, whether that be through unique circumstances and instrumental setups or incredibly dense track counts.
Q: What other musicians or music production professionals inspire you?
A: Genesis, Phil Collins, Tony Banks, Muse, Matthew Bellamy, Porcupine Tree, Steven Wilson, Dream Theater, Spock's Beard, Neal Morse, Rush, Flying Colors, Mike Portnoy, IQ, Haken, Keane, Kevin Gilbert, Frost*, Transatlantic, Poppy, Titanic Sinclair, Cardiacs, Tim Smith, Simon Godfrey, Marillion, Steve Hogarth, CHVRCHES, Mutemath, Paul Meany, The Dear Hunter, White Lies, Trevor Horn
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $100 per song
- EditingAverage price - $100 per track
- Vocal TuningAverage price - $100 per track
- Time alignment - QuantizingAverage price - $100 per track
- Vocal compingAverage price - $100 per track
- Post MixingAverage price - $250 per minute
Happy to provide unlimited revisions for mastering (within reason), and up to 3 mix revisions free of charge then an additional $30 per revision thereon. My turn around time is typically a week max.
- Muse
- Pendulum
- Dream Theater
- Solid State Logic 948 Delta
- UREI 1176
- Empirical Labs Distressor
- Roland Chorus Tape Echo RE501
- Neve 5465
