I have been producing film & commercial music for European & Asian commercial clients since 2009 and returned to music industry scene in 2014 fully committing to what I love most. Since then I have produced a few albums and singles and I look forward to working with people equally passionate about what they do.

I firmly believe in music. I have worked with Universal & Def Jam artists, but that´s not the only reason you should consider trusting me with the precious material you have worked or want to work on - no war was won alone and all great music ever written have been collaborative efforts.
You should be comfortable with your producer and the creative people you work with. I´ll be more than happy to talk about your music & your goals and if you are serious about what You do, I am convinced we can shed light to your tracks the right way.

Genres I specialize in

Terms of Service

FLAT FEE - the number of revisions will be agreed upon request.
HOURLY FEE - I will work for Your song as long as needed. My assistants will keep You updated at all times regarding budget & progress

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Interview with Kaspar Kadastik

Analog or digital and why?
Well.. there is always a debate to be had over headroom advantages or sonic properties, but you won´t get a conclusive answer. You won´t. While it´s always an intriguing subject for engineers and mixers to exchange thoughts about, one should concentrate on knowing how to use what they have - ´what is it one wants to achieve?´ followed by ´what you got?´. You can reach your goals with either ways alone or combined. Know your tools. That´s what I´m concentrated on.
What do you like most about your job?
Communication. When producers and artists etc connect well over a project, I think it´s beautiful. Come good communication, comes greater clarity - good ideas surface and thus a better understanding will be achieved. Also, since something closely relatable to OCD has developed in me during recent years, I get a real satisfaction, when tracks get seemlessly edited. Yes, I have spent ungodly amount of time listening to tracks in testmixes before and after an editing move was applied and loved every minute of it.