
Support and feedback from . Solomun, Fideles, Carl Cox, Stan Kolev, Armin Van Buuren, Benny Bennassi, Hot Since 82, Adam Bayer, Maceo Plex, Tale of Us - Afterlife D-Formation, Armin, Morttagua, EDX, Hernan Cattaneo, Joris Voorn, Sasha Carassi, John Digweed, Anderson Noise, Dubfire, Lane 8, Frankey aka Beckers, Eelke,
• High-end professional Audio Mastering Analogue
• Your music will sound consistent and dynamic.
• Volume will be raised to a more-dominated level.
• Your music will sound optimally on different systems.
• EQ and compression adjusted on each song separatly.
• Mastered for; Digital Distribution, Beatport, iTunes and more
• Real time Sample Rate Conversion
We bring the best sound quality for your music or EP with the gain of analog equipment.
Welcome!
Contact me through the green button above and lets get to work.
Send me an email through 'Contact' button above and I'll get back to you asap.
1 Reviews
Endorse SM Mastering Pro Mix & MasterI'm happy to find SM Mastering's profile here. I have been working with them for years and they always do an incredible job. What makes me even happier is that I see their work growing and going further each time. Even though they are at the top of the charts and at major festivals such as Tomorrowland, Cercle Music, Ultra Music, among others, many new artists arrive every day, and I'm happy to be part of their portfolio. If you are looking for an engineer who works with the great artists, SM Mastering is the right place.High quality service, very attentive, and responds super fast.
Interview with SM Mastering Pro Mix & Master
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: All projects are special, my work has been featured in the biggest festivals in the world, such as Afterlife Awakenings Tomorrowland Cercle Music Ultra Music EDC Coachella It's hard to choose just one, the list is long and everyone is happy with the result
Q: What are you working on at the moment?
A: New mixes, masters and songs
Q: Analog or digital and why?
A: Always analog. I use analog because it's the only thing in this world that does something real. We're human, so why would I use a copy of a plugin that reduces the quality of the music? Unless the client wants that!
Q: What's your 'promise' to your clients?
A: I don't promise I'll do the work with quality, there's no such thing as bad music, just music without the quality it deserves.
Q: What do you like most about your job?
A: When the song is ready and we compare it with the initial result. Well, it's something that makes the heart jump with happiness.
Q: What questions do customers most commonly ask you? What's your answer?
A: What type of service should I use? Master, Stem Master or Mix & Master Answer, after listening to the music I help the client decide
Q: What's the biggest misconception about what you do?
A: People think all engineers are price-based, I'm quality-based
Q: What questions do you ask prospective clients?
A: What tempo do you produce? What is your reference track? What analog equipment or plugins did you use?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't waste time, your music needs to be in the right hands, all results will be achieved with your music full of quality.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1 - Computer 2 - Interface Audio 3 - Monitor Audio 4 - Compressor Analog 5 - Synths
Q: What was your career path? How long have you been doing this?
A: From stage musician to engineer. Over 20 years of experience in music
Q: How would you describe your style?
A: Innovative
Q: Can you share one music production tip?
A: Make your music with love, focus on each note and let us take care of the quality for you.
Q: What type of music do you usually work on?
A: Dance Music
Q: What's your strongest skill?
A: Feel the emotion and mix the music and master it as it deserves
Q: What do you bring to a song?
A: Emotion, professional quality and a fantastic result
Q: What's your typical work process?
A: Listen to the music and decide which is the best service
Q: Tell us about your studio setup.
A: High-level professional equipment
Q: Describe the most common type of work you do for your clients.
A: We work with mixing and mastering of electronic music

I was the Mixing Engineer in this production
- Mixing EngineerContact for pricing
- Mastering EngineerAverage price - $200 per song
Please describe your project and expectations of your music, attach your files, show a reference song. This is how we agree
- Solomun
- Fideles
- Afterlife
- Support and feedback fromMar 11, 2021
Solomun,Fideles,Carl Cox,Stan Kolev,Armin Van Buuren,Benny Bennassi,Hot Since 82,Adam Bayer,Maceo Plex,Tale of Us,D-Formation,Armin,Morttagua,EDX,Hernan Cattaneo,Joris Voorn,Sasha Carassi,John Digweed,Anderson Noise,Dubfire,Lane 8,Frankey aka Beckers,Eelke,Kleijn,Pete Tong,Kollektiv Turmstrasse,Kevin de Vries,Chris Fortier,