I am a dynamic, organized and goal-oriented person with an eye on the details. I've spent the last 15 years either producing music or working as sound engineer for some of the most respected professionals in the world of the music business. I'm always looking for new cool projects to work on and exciting collaborations.
As Sound Engineer I've been recording and mixing several music projects.
I've also been producing new artists for the last 5 years, turning demos into fully-arranged, recorded and mixed tunes, working in some of the best recording studios in Milan (Italy) and London (The Fish Factory, Metropolis, Tileyard Studios).
Skills:
DAW - Pro Tools, Logic Pro X and Ableton Live
Session setup and Recording
Sound Editing
Sound Design
Mixing
Songwriting
Producing
Remixing
Audio Restoration (Izotope RX)
Artists and producers I worked with: Tommaso Colliva, Riccardo Damian, Jim Abbiss, Brian Eno, Edd Hartwell, Muse, Calibro35, Lewis Floyd Henry, James Arthur, Ghemon, Nic Cester, Mac Miller, Rejjie Snow, RAYE, Razorlight, Jorja Smith, Nova Twins, Ladytron, Nick Hodgson, NYX, The Kolors, HooHas, Royal Bravada, Davide Carrone, Immigration Unit, Pablo Andrea Setola, Rex Orange County, Sunny Gray, LUCIA, Mosa Wild, Howie Payne.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
AllMusic verified credits for Fabio SennaInterview with Fabio Senna
Q: Analog or digital and why?
A: I think nowadays analog can improve the way we use our digital stuff. You can work in a digital environment using loads of analog machines (including tape machines). So, I think the right balance between both would be the best option.
Q: What's your 'promise' to your clients?
A: There's no promise with my clients, i'll work with them until they're 100% satisfied about their songs.
Q: Tell us about your studio setup.
A: I usually work in the box using the studio equipment as a tool for my work. Where i usually work there's an MCI JH400 from the 70s and 2 tape machines (16 tracks and 2 tracks). I work using analog outboards as compressors, sound processors and i like to improve the sounds of my productions doing sound design with pedals and FXs.
Q: Can you share one music production tip?
A: just be creative and listen to what you're doing.
Q: What other musicians or music production professionals inspire you?
A: I get inspired by a lot of different artists and professionals, i love the way Rick Rubin works with his clients and i love how technically perfect Spike Stent's mixes are. I pick the best from each great artist or producer in order to improve my own way.
Q: What type of music do you usually work on?
A: Electronic, Rock, Punk
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: The perfect balance
Q: What's your typical work process?
A: Demo listening Pre-production Recording Editing Post-Production Mixing
I was the Mixing Engineer in this production
- Mixing EngineerAverage price - $200 per song
- ProducerAverage price - $400 per song
- Recording StudioContact for pricing
- RemixingAverage price - $300 per song
- RestorationAverage price - $75 per hour
- YouTube Cover RecordingAverage price - $300 per song
- Ghost ProducerAverage price - $800 per song
Mixing:
Limit of 3 revisions, $10/revision beyond.
Editing and/or tuning not included files should be ready for mix on delivery.
Payment: 50% nonrefundable deposit, remaining 50% on delivery
- Soulwax
- !!!
- Calibro 35
- MCI 24ch JH400 Desk
- Studer Tape Machine 16tracks and 2tracks
- Neve and 1176 Compressors
- Eventide Ultra Harmonizer HD3000
