Fabio Senna on SoundBetter

I am a dynamic, organized and goal-oriented person with an eye on the details. I've spent the last 15 years either producing music or working as sound engineer for some of the most respected professionals in the world of the music business. I'm always looking for new cool projects to work on and exciting collaborations.

As Sound Engineer I've been recording and mixing several music projects.
I've also been producing new artists for the last 5 years, turning demos into fully-arranged, recorded and mixed tunes, working in some of the best recording studios in Milan (Italy) and London (The Fish Factory, Metropolis, Tileyard Studios).

Skills:
DAW - Pro Tools, Logic Pro X and Ableton Live
Session setup and Recording
Sound Editing
Sound Design
Mixing
Songwriting
Producing
Remixing
Audio Restoration (Izotope RX)

Artists and producers I worked with: Tommaso Colliva, Riccardo Damian, Jim Abbiss, Brian Eno, Edd Hartwell, Calibro35, Ghemon, Nic Cester, Mac Miller (<3), Rejjie Snow, RAYE, Razorlight, Jorja Smith, Nova Twins, Ladytron, Nick Hodgson, NYX, The Kolors, HooHas, Royal Bravada, Davide Carrone, Immigration Unit, Pablo Andrea Setola, Rex Orange County, Sunny Gray, LUCIA, Mosa Wild, Howie Payne.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

AllMusic verified credits for Fabio Senna

Razorlight
Calibro 35

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Interview with Fabio Senna

Q: Tell us about your studio setup.
A: I usually work in the box using the studio equipment as a tool for my work. Where i usually work there's an MCI JH400 from the 70s and 2 tape machines (16 tracks and 2 tracks). I work using analog outboards as compressors, sound processors and i like to improve the sounds of my productions doing sound design with pedals and FXs.
Q: Analog or digital and why?
A: I think that nowadays analog can improve the way you use your digital stuff. You can work in a digital environment using loads of analog machines (including tape machines). So, I think the right balance between both would be the best option.
Q: What's your 'promise' to your clients?
A: There's no promise with my clients, i'll work with them until they're not satisfied about their own songs.
Q: Can you share one music production tip?
A: just be creative and listen to what you're doing.
Q: What type of music do you usually work on?
A: Electronic, Rock, Punk
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: The perfect balance
Q: What's your typical work process?
A: Demo listening Pre-production Recording Editing Post-Production Mixing
Q: What other musicians or music production professionals inspire you?
A: I get inspired by a lot of different artists and professionals, i love the way Rick Rubin works with his clients and i love how technically perfect Spike Stent's mixes are. I pick the best from each great artist or producer in order to improve my own way.

Immigration Unit - Far Inside

I was the Mixing Engineer in this production

Mixing EngineerAverage price - $200 per song
ProducerAverage price - $400 per song
Recording StudioContact for pricing
RemixingAverage price - $300 per song
RestorationAverage price - $75 per hour
YouTube Cover RecordingAverage price - $300 per song
Ghost ProducerAverage price - $800 per song

Mixing: Limit of 3 revisions, $10/revision beyond. Editing and/or tuning not included files should be ready for mix on delivery. Payment: 50% nonrefundable deposit, remaining 50% on delivery