SPACEBOT Studio is recording studio based in Bangalore. It specializes in Remote Mixing & Mastering and other Audio Pre and Post Production activities.
SPACEBOT Studio is equipped with state of the art digital and effects processors for audio pre and post production work.
The Studio uses UAD2, Slate Digital and other major industry standard plugins for mixing and mastering. It uses Fractal Audio Axe Fx II for guitar effects and re-amping requirements.
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Interview with SPACEBOT Studio
Q: Can you share one music production tip?
A: One needs to spend the most time in the recording phase (with respect to production of the music).
Q: What type of music do you usually work on?
A: The type of music we mostly work on are Rock and Pop.
Q: What's your strongest skill?
A: Mixing will be our strongest skill, the ability to see the song in different lights, flexibility to try different approaches is what we stand for.
Q: Tell us about your studio setup.
A: The studio is an all digital set up and does 'in the box' mixing and mastering.
Q: What other musicians or music production professionals inspire you?
A: Musicians are too many but on the top of my list are Foo Fighters, Led Zeppelin, Pink Floyd, Nirvana, AC/DC. Music Professionals - Dave Pensado, Manny Marroquin, Eddie Kramer, Chris Lord Alge, Gavin Lurrssen, Michael Stavrov.
Q: Describe the most common type of work you do for your clients.
A: SPACEBOT Studios is mostly focused on music recording, mixing and mastering.
- Mixing EngineerAverage price - $75 per song
- Mastering EngineerAverage price - $30 per song
- Vocal TuningAverage price - $20 per track
- Beat MakerAverage price - $50 per song
- EditingAverage price - $20 per track
- Time alignment - QuantizingAverage price - $20 per track
1/ The studio will allow total of three revisions after getting a complete brief of the requirements
2/ A mixing project can be completed within 5 work days and mastering project in 3 work days
- UAD Apollo
- Fractal Audio Axe Fx Mark II
- UAD2 and Slate Digital Plugins
20% off from April-June 2015