Orchestral Music Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project I’m especially proud of is a gospel single featuring the Czech Strings Orchestra, it was truly a dream come true to collaborate with one of the world’s finest symphonic ensembles. Another highlight was a single recorded with the Budapest Symphony Orchestra. I served as both the music producer and orchestrator for these projects, and had the privilege of attending both recording sessions in Prague and Budapest. Witnessing my arrangements performed live by such world-class musicians was an unforgettable and deeply rewarding experience.

Q: What are you working on at the moment?

A: At the moment, music production is no longer my full-time focus, as I’m currently running a food business based in Cambridge, UK. Because of that, I’m selective with the projects I take on but I’m always open to working on meaningful collaborations that align with my style and schedule.

Q: Analog or digital and why?

A: I’ve worked with both. Back in the late ‘90s and early 2000s, analog was still the standard due to limitations in computing power. But today, digital is my go-to for its portability, efficiency, and affordability. That said, for certain post-production processes like mastering, analog still has its charm. In short: production = digital, mastering = sometimes analog.

Q: What's your 'promise' to your clients?

A: I promise fast communication, a creative and collaborative spirit, and results that meet, or exceed expectations.

Q: What questions do customers most commonly ask you? What's your answer?

A: Pricing. My answer? Let’s talk. I’m flexible to an extent but I know my value. As long as the material is strong and we’re a good fit, I’m open to collaboration

Q: What's the biggest misconception about what you do?

A: People assume I’m a singer or performer. I do enjoy singing, but, let’s just say I’m better behind the scenes I’m here to bring out the best in your artistry not showcase mine.

Q: What questions do you ask prospective clients?

A: First, the deadline. If I can’t meet it, I’ll let you know right away or recommend someone else. I value stress-free, quality-focused work. Second, would you like a short demo? I often offer a rough preview usually a verse or chorus to help clients visualize the production. It’s an effective way to turn interest into action.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Shortlist providers whose style and skill set match your vision. Reach out to each of them, compare pricing and timelines, and ultimately choose someone you're comfortable collaborating with. Clear, open communication is just as crucial as the project itself. A good producer should be able to deeply understand your ideas and translate them into musical language, this interpretive ability is as essential as technical skills.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Water filter Fan Lighter Duvet Torch Let’s be real , this is about survival, not studio time! I’m not bringing my interface or headphones to a desert island

Q: What was your career path? How long have you been doing this?

A: My love for music began at age 3, playing songs by ear on an old organ. We had to sell it later due to financial hardship, but my passion never left. I practiced on a small keyboard with limited features, training my ear and learning music theory. By 10, I was experimenting with multi-track recording using a double-deck cassette, a very analog version of what I do now! I began exploring digital production before YouTube existed, learning through trial and error until platforms like YouTube helped me refine my craft around 2007–2008. I’ve been working professionally since 2005 about 20 years of doing what I love.

Q: How would you describe your style?

A: Versatile with a focus on romantic, magical, cinematic, or groove-based sounds. I’m confident delivering timeless ballads like Whitney Houston or Celine Dion, or orchestral Disney-style music like Aladdin, Frozen, Mulan, and Beauty and the Beast. I can elevate your song into something grand and cinematic think Sam Smith Writing's On The Wall. Or want to reimagine All of Me by John Legend with lush orchestration? Let’s do it. Prefer funk or gospel? I’ve got you covered with Stevie Wonder or Kirk Franklin-inspired grooves. Let’s create something amazing!

Q: Which artist would you like to work with and why?

A: I’d love to work with artists who truly appreciate the process — both creatively and professionally. That means understanding my workflow and respecting the agreed terms. I don’t work for free or "exposure" because, as we all know, exposure doesn’t pay the bills. One artist I’ve especially enjoyed working with is Tian, a talented C-Pop singer who knows exactly what he wants and collaborates with intention. Shout out to you, Tian let’s work together again soon!

Q: Can you share one music production tip?

A: Absolutely! communication and workflow are key. Since I often work with a team of co-producers, session players, and mix/mastering engineers, clarity is everything. Provide references, they communicate your vision better than words. A clear structure and organized workflow help avoid mistakes and keep the project moving efficiently.

Q: What type of music do you usually work on?

A: I frequently produce orchestrated ballads, magical Disney-style pieces, cinematic themes, and funky arrangements featuring piano or brass.

Q: What's your strongest skill?

A: Creating romantic, intimate, or cinematic string arrangements that bring depth and emotion to a song.

Q: What do you bring to a song?

A: I can build a production from scratch, just give me a topline, lyrics, and three references. I’ll tailor a custom arrangement that fits your vision. I also specialize in layering orchestral arrangements over existing productions, adding that cinematic touch that takes a track to the next level.

Q: What's your typical work process?

A: I begin by asking for a draft/demo and three reference tracks. I then create a basic mock-up — usually solo piano and lead instrument to share the core structure (melody, chords, intro/outro, etc.). After feedback, I build the rhythmic foundation (bass, drums, guitars), followed by orchestration if needed. Once approved, I deliver the full production.

Q: What other musicians or music production professionals inspire you?

A: David Foster, Kirk Franklin, and the Disney Studio Orchestra have had a major influence on my work.

Q: Describe the most common type of work you do for your clients.

A: Production for songwriters with a topline but no arrangement, producers unhappy with their current version, or artists needing orchestral layering. Sometimes I take full control from concept to final product.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Of course, I've done a lot of work with a talented Indonesian singer Pritta Kartika, a great gospel singer Josiah Ruff, a Kenny G & Dave Koz sound-alike saxophonist Jimmy Koentjoro, a great mixing engineer Stefanus Wayanartha, Amazing topline writer Mariami, and the talented UK based producer and songwriter Matt Hughes who's also my best friends, you can find them all at SoundBetter and trust me you'll not regret it.

Q: What do you like most about your job?

A: When I can surprise my clients that their song/project could be that great. I always love to make my clients happy, encouraging them, sharing the information I have or anything they want me to do. Some massages? Unfortunately no =D