Nick Page on SoundBetter

Mixed BB King (nominated grammy), recorded: Dave Grohl, DJ Bonebrake, Natalie Maines, Leon Russell, The Bronx, The Drips, Pete Yorn, The Darkness, Kevin Haskins (Bauhaus,Love and Rockets) Theme for The Nightshift (NBC), OST The End (British Gangster).

Cut my teeth sitting by the side of producers Michael Beinhorn (Soundgarden, Herbie Hancock, Marilyn Manson) Roy Thomas Baker (Queen), Steve Power (Robbie Williams), Andy Johns (The Rolling Stones, Led Zeppelin), Pete Smith (The Police, Sting)
Currently mastering 60 albums a year for Mars Lasar's Sound Manipulations (APM Music Library) with over 40 composers on the roster and mixing trailer cover versions for Atomic Overture.
Cover versions of mine have been used in Justified (FX) and remade The Seeker by The Who used in Batman vs Superman Trailer.
Managed The Darkness in 2003/4 for the US, 3 million albums sold, Ivor Novello Songwriting Award, 3 Brits Awards.
Reinterpretations have had thumbs up from Captain Sensible (The Damned), Ray Dorset (Mungo Jerry)
Golden Reel Award nomination music editor for Ultimate X (Touchstone)
Music Consultant Sweet Home Alabama (Touchstone) No.1 US Movie.

Send me an email through 'Contact' button above and I'll get back to you asap.

Interview with Nick Page

  1. Q: What do you bring to a song?

  2. A: dynamic

  3. Q: What's your typical work process?

  4. A: rerecord the tracks through the various pres, eqs and comps and capture through dangerous AD. This then goes throught the chandler mixi mixer and master bus comp is a Aurora Audio comp and get to mixing. Once mixed will then master via analogue outboard gear as mentioned above and using DMG plus for maybe a little eq and final limiters from DMG which i think sound the best.

  5. Q: Tell us about your studio setup.

  6. A: In and out of the box. Plugs used UAD, Plug In Alliance and DMG Audio. using Mytek converters into Chandler mini mixes and then preamps such as Auora Audio, Tube Tech, Forssell. Mastering chain includes Inward Connections, RJR EQ, Hendyamps EQ and Compression, Foote Control compressors and Aurora Audio compressor.

  7. Q: What other musicians or music production professionals inspire you?

  8. A: that would include Reznor, Mack, Spike Stent, Alan Moulder, Flood,

  9. Q: Describe the most common type of work you do for your clients.

  10. A: Right now over 60 albums a year mastering for Sound Manipulations, production music for APM Libraries. Also mixing trailers for Atomic Overture. Mixing and additional production for new developing bands such as Foxy Mammals. Also mixing for David Bottrill (Tool, Mastadon) company A4A Records in Canada specialising in world music, 3/4 mixes per year.

Nick Page and Ruby Friedman You'll Never Leave Harlan Alive

I was the producer, player, mixer in this production

Terms Of Service

upto 2 revisions, let me know what your turnaround time would like to be. WAV files at your original session sample rate. No processing/fx on any tracks.

Gear Highlights
  • Tube Tech
  • Inward Connections
  • Roger Foote
  • Hendyamps
  • Chandler
  • Quested
  • Dynaudio
  • Tannoy
  • Gretsch
  • Fender
  • Gibson
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