Wouter Verhulst - The Soundary

Recording, Mixing and Drumming

Wouter Verhulst - The Soundary on SoundBetter

What I do is honest, natural and it has attitude.

I'm involved in the music business for over 20 years. Did those years help me learn my trade? Hell yeah! I worked for some renowned studios over the years and owned a music production company. I have a lot of years of experience in music and audiopost for movies and commercials too. I toured the world and released 10+ albums with different bands. My own studio The Soundary is located in the north of Amsterdam, where I record and mix everything I put out.

I work fast and secure as a (music) editor. As a mix- or recording engineer I specialize in true, organic and characterfull mixes. As a drummer I like to find the essence of what a song needs and play no more. In any case I try to find something special, unique and original to give the production it's own voice.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Interview with Wouter Verhulst - The Soundary

  1. Q: Describe the most common type of work you do for your clients.

  2. A: I produced a lot of film scores, and did a lot of audio post in the past couple years. Besides that I always produce bands, that's where I come from and where my heart lies.

  3. Q: What other musicians or music production professionals inspire you?

  4. A: I love guys like Jon Hopkins, Nils Frahm and Olafur Arnalds. They're really creative and don't hang on to a genre, soundscape, classical, techno, filmmusic... they're all over the place and still have their very unique own recognizable voice.

  5. Q: Tell us about your studio setup.

  6. A: Since I'm pretty much an in-the-box guy, all I need is a couple of good mics, great pre-amps and converters. Which is what I use. I can record my own drums here and I can make them sound huge! (or very intimate if you like) My favorite sound shapers in the box are from SoundToys, UniversalAudio, StevenSlate and some good old Waves.

  7. Q: What's your typical work process?

  8. A: You give me your briefing, I do the job plus trying to give something extra I find appropriate, you're happy, I'm happy ;)

  9. Q: What do you bring to a song?

  10. A: I make choices. I try to listen to what the essence is and bring that forward. It should be more than clear what the song is about, within a few seconds!

  11. Q: What's your strongest skill?

  12. A: I'm not afraid of making choices and throw away stuff that is not essential. My mixes have the charact-o-meter deep in the red, and I work pretty fast.

  13. Q: What type of music do you usually work on?

  14. A: It usually tends to be 'analog' music like rock and singer songwriters. But in my film scores I always add electronic instruments! I'm very interested in combining those two worlds.

  15. Q: Can you share one music production tip?

  16. A: Make choices! And have fun.

  17. Q: Which artist would you like to work with and why?

  18. A: I'd like to work with anybody who's looking to make beautiful stuff and have a good time doing so!

  19. Q: How would you describe your style?

  20. A: Honest.

  21. Q: What was your career path? How long have you been doing this?

  22. A: 20 years ago I joined my first professional band as a drummer. We did a lot of albums and tours all over the world. During recording I started to develop a great interest in studio techniques. I graduated from SAE 15 years ago and produce, record and mix music ever since.

  23. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  24. A: SE2200 mic, SPL2383 preamps, Fireface800, MacPro and Slate's Plugins ;)

  25. Q: What advice do you have for a customer looking to hire a provider like you?

  26. A: Try to have a clear idea of what you're looking for. If you don't really know, you might end up with a million possiblities and no clue which way to go.

  27. Q: What questions do you ask prospective clients?

  28. A: I ask for reference music, not to copy, but to give some direction. Off course you might end up somewhere completely else, but it always gives a good starting point.

  29. Q: What's the biggest misconception about what you do?

  30. A: That errors can be fixed in the mix. There's a whole lot of magic we mix-engineers can do, but a bad recording will generally be... a bad recording!

  31. Q: What questions do customers most commonly ask you? What's your answer?

  32. A: Can you mix this track for me, or can you play drums on this track? I say: HELL YEAH!

  33. Q: What do you like most about your job?

  34. A: Working with creative people, having something everybody can be proud of at the end of the day. It's such a blessing we can make a living out of this!

  35. Q: What's your 'promise' to your clients?

  36. A: You're gonna get more then you asked for! There's always some surprise coming up during the process of playing or mixing.

  37. Q: Analog or digital and why?

  38. A: Analog gear is cool. I love the sound of tubes and vintage synths. I use it all the time while recording. But mixing is digital, with me. I stay in the box! It's so much more flexible and total-recall and fast... Nothing can beat that!

  39. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  40. A: Daniel de Booij! He's a great guy and a technical wonder.

  41. Q: What are you working on at the moment?

  42. A: I'm producing a debut album for a new band from Amsterdam. They combine electronic synths and beats with an almost bluesy way of songwriting - which makes it very interesting to produce!

  43. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  44. A: Radio Heimat, it's a great German film (which unfortunately didn't do too well). The company I then co-owned did a very elaborate score, featuring a rock'n'roll band, a big-band and a symphonic orchestra! I did all the recording and mixing and some drumming. Wow!

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Owen Noone and The Marauder

I was the Producer and Drummer in this production

Terms Of Service

After a proper briefing, no more than 2 revisions should be needed. In general I will be able to deliver within one or two days.

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Gear Highlights
  • My Ears! I'm an earhead. Not a gearhead.
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