Grammy award winning capable mix. Can match Grammy Award winning mixes.
Looking for a certain artist sound in your mix? Want to bring your compositions to life? Need your songs to be radio- ready? If however you are not satisfied with the results let me know and we will see what we can do. Check out some of the files on my page to hear if you like my mix. I will pitch-correct, time align, clean-up and mix your song.
Contact me through the green button above and let's get to work.
6 Reviews
Endorse Myke Paniza
Myke has a good pair of mixing ears, especially the drums sound. Not only that, he shares to you how he came up with a better version of your mix. Easy to work with, fast and efficient. He is a good addition to the industry.
Myke has a passion for getting the best mix possible on your music which drives him to challenge himself and push his limits. He wants what you want for your music and is a wonderful ally dedicated to getting your work ready for air play. I suggest you take the opportunity to see what he can do!
Myke mixed one of my songs and he really did a good job! We are to work on more great tunes in the near future! Waiting for amazing results!
Rubén.
Myke was excellent to work with. He was very responsive to any questions I had. His mix brought out a beautiful sound from my song.
Myke mixed a song for me and he made my project sound good. He is quick, and responsive to the sound you are looking for.
Myke recently mixed an original song I had recorded and did an amazing job. I strongly recommend working with him if you are looking for someone to properly mix music. I look forward to hearing his mixes on my songs in the future. Game changer!
Interview with Myke Paniza
Q: What are you working on at the moment?
A: I am currently working on a Filmscore that I am composing. And I am mixing different clients' songs.
Q: Analog or digital and why?
A: I would choose both. But if I have the luxury I will learn Analog. To me analog gear has the warmth that digital gets it close and that's a good thing. I like to turn knobs.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not at the moment as I haven't worked with someone here in Soundbetter.
Q: What do you like most about your job?
A: The journey and the end of a mix. I love the reward of a good sounding mix knowing that it is one step closer to being radio-ready.
Q: Describe the most common type of work you do for your clients.
A: Mixing is my usual line of work. I usually get good feedback on my mixes.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm proud of Mixing Day Hides Night by Christopher Lee Davis because of the fact that it was a joy to mix and I was able to make the song closer to radio ready before it reaches the mastering stage
Q: What's the biggest misconception about what you do?
A: Mixing music is not a job.
Q: What do you bring to a song?
A: I make a song radio-ready in the mixing process.
Q: What's your 'promise' to your clients?
A: My promise to you is to make your song radio-ready.
Q: What questions do customers most commonly ask you? What's your answer?
A: They ask me if I could work on their music. I answer them with a question as usual "What kind of sound are you looking for?"
Q: What questions do you ask prospective clients?
A: "What kind of sound are you looking for?"
Q: What advice do you have for a customer looking to hire a provider like you?
A: Dynamics is more important than Loudness.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My computer or in this case laptop and My GS1000 headphones for mixing.
Q: What was your career path? How long have you been doing this?
A: I have been doing this for a year now and I plan to do this for the rest of my life and be great at it.
Q: What type of music do you usually work on?
A: Rock, Country, Soundtrack and Acoustic etc.
Q: What's your strongest skill?
A: My strongest skill is mixing anything that has an acoustic guitar on it.
Q: Tell us about your studio setup.
A: I use FL Studio 20 for my clients project, My Computer for the mixing work, Grado GS 1000 for my monitors, And Various Analog Plugin Emulators.
Q: Can you share one music production tip?
A: Balance is the key to the greatest mix. Getting a great balance for your song will always produce the greatest results.
Q: How would you describe your style?
A: My style is efficiency. My goal is to get a radiio ready sound in as little time as possible.
Q: Which artist would you like to work with and why?
A: I like working with different artists because of the various music that you can work on. It challenges me which therefore adds value to my craft.
Q: What's your typical work process?
A: Top-Down Mixing to get satisfactory results in as little time as possible.
Q: What other musicians or music production professionals inspire you?
A: Chris Lord-Alge. He inspires me to be the best mix engineer out there. =)
I was the Composer and Mix Engineer in this production
- Mixing EngineerAverage price - $500 per song
- Composer OrchestralAverage price - $400 per song
- EditingAverage price - $50 per track
- Programmed drumAverage price - $400 per song
- Vocal TuningAverage price - $50 per track
unlimited revisions until we get the sound that you are looking for.
- Theory of a Deadman
- John Debney
- Mel Gibson
- James L. Venable
- Nick Ingman & His Orchestra
- I mix at my computer and my studio monitors are the GradoGS1000 headphones. Analog Plugin Emulators like the 1176 Limiting Amplifier
- La-2a
- La-3a
- and many more
- New Compressors The LA-2A, LA-3A, C6, 1176 LN, and SSL G-Bus Compressors "Day Hides Night" mixAug 09, 2018
For the electric guitar I used 1176 LN , for the vocals I used the LA-2A , for the Acoustic Guitar I used the LA-3A, for the bass I used the LA-3A and finally I used the SSL G Master Buss Compressor for the "Glue" of the entire mix.
