
Grammy Nominated Engineer
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Credits
Interview with Shane Patterson
Q: What do you bring to a song?
A: A fresh perspective on the sound. I mix is based on a mixture of musical intuition, strong foundations in the core concepts of audio engineering and DSP, and my song oriented approach when crafting the sonic space that the music exists within.
Q: Tell us about your studio setup.
A: We spent 2 months designing and 6 months building my dream mixing room with an emphasis on great acoustics and translation. I monitor with Amphion One15s and a sub and place a lot of trust in my SpectraFoo Complete metering as well. I have a small fader controller that allows me to naturally work through a mix like I was on one of the analog consoles I worked on. I also have a very cheap <$10 bluetooth speaker that helps to ensure translation and is a bunch of fun to monitor through in all of it's lo-fi glory.
Q: What's your strongest skill?
A: I think finding the core of a song that makes it special, and bringing that to the listeners attention to create something captivating.
- Mixing EngineerAverage price - $500 per song
- Mastering EngineerAverage price - $50 per song
- Surround 5.1 MixingAverage price - $150 per minute
- Vocal compingAverage price - $40 per track
- Vocal TuningAverage price - $50 per track
- Time alignment - QuantizingAverage price - $50 per track
- Bass ElectricAverage price - $25 per song
As many revisions as it takes to get it right.
- ATC SCM50ASL
- Amphion One15
- Pro Tools
- Apogee Ensemble
- Dolby Atmos Near Field Mixing Room