A music composer team. Latin American bassist, lover of good grooves, and a dedicated specials in creating them. Bandoneonist, Composer, and producer. Excepcional Singer, songwriter, composer, pianist, and bilingual! A excelso guitarist, producer, and sound designer. Three lovers of the music , creatives, professionals and unconformable seekers.
We are a team. A "music team" . And to can do and "live the music", we have and create a Studio Recording. We have a lot of experience on studio sessions (we hace record more of 100 disc, edited in Latin America, Europe and United States), and compose music for film and theatre), we have been writing, composing, and producing songs, original music, and music film for our projects and to others for the last 15 years. Music it's our life and we will love be a part of your project and put our creativity & good energy to make it better.
You can hear some of the things We have done
Our Reel: https://soundcloud.com/santiago-capriglione/reel-bicis-bilingual
Our Musical project : http://lanubemagica.bandcamp.com
Other Project in which we participate like musicians : http://www.laluchalibre.com.ar/
We'd love to hear about your project. Click the 'Contact' button above to get in touch.
Would love to hear from you. Click the contact button above to get in touch.
- Pablo Lesuit
- Guillermo Beresñak;
- La Nube Magica
- Leopoldo Marechal Big Band;
- Marcelo Ezquiaga;
- Miss Bolivia
- Caro Tapia;
- Juanito El Cantor;
- Santiago Capriglione;
- Palo Pandolfo
- Doña María
- La Lucha Libre
- Chu Victoria
- Jorge Salinas;
- Araca Gurí;
- Nico Batero;
- Licina Picón
- El Pozo Dúo
Interview with BiCiS Production Studio
Q: How would you describe your style?
A: Eclectic Style, British Rock mixed with latin feel, a lot of groove, hip hop, always.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A Guitar, a MIchrophone, a Computer, audiointerface, Synthetizher
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes, Seba Cabello
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Of the our last worked, we are very proud about. "Messenger on a White Horse" is a documentary about a PERIODISTA, and we maked the sound design , mixing stereo and 5.1. And we are finished the new disc of "La Lucha Libre", a rock band of Buenos Aires.
Q: Describe the most common type of work you do for your clients.
A: When we work on other people's projects, the process is usually to listen or see the material, in its initial phase, to begin to "get wet" of "what's going on". From there, begin to work on the composition, the arrangement, the structure, the instrumentation, trying different ideas to find one, or a path or direction in which to travel, that we like everyone, that excites us, and that enrich the project
Q: What other musicians or music production professionals inspire you?
A: Many musicians inspire us, but above all musicians who are always in search of "something new". It can be Damon Albarn, with his multiple and creative projects, from brit pop to synthesizer hip hop or making songs with a string quartet, or Radiohead in his incessant sound search, as Bob Marley with his message and creation, Quincy Jones with his excellence and absolute dedication, or Mark Ronson and his productions, some vintage or other ultra modern with his personal mix.
Q: What's your typical work process?
A: Whatever the project, after a first talk about it, the moment of listening, of seeing, of entering the project, to see where it comes from, what it is about, how it was conceived, is imposed. From there, begin to provide ideas, options, order, structures, instruments, sounds. Once we have the demo, start recording different instruments, program or record drums, basses, guitars, synthesizers, structuring the different parts of the song, so that it also has something to do with its sound development.
Q: Tell us about your studio setup.
A: In Our Studio we recording with Microphone AKG 414 Neumann TLM 102 AudioTechnica 4050, Rode NTk, Shure( D112, 57,58 etc), Universal Audio LA 610 Mk2 Channel Strip, Preamp Grace 101, RME converter, Guitars Gibson 335, Telecaster, Martin Acoustic Guitar, Ukele from Argentinian Luthier, Fender jazz Bass American Deluxe Rickenbacker Bass, Precision Bass from Argentinian Luthier, Roland Synthetizer Xp 50, Dave Smith Synth, VST modulous.
Q: What's your strongest skill?
A: As we are several working in the studio, we believe that our strengths are several. Each one has his own. On the one hand the creation of good grooves, with a lot of feel, from hip hop, trap to Latin music, from bass and drums. Another strong point is the recording of guitars, the composition of good and original arrangements, as good melodies.
Q: What type of music do you usually work on?
A: Our range of work is wide, but the most frequent is the work in Rock and Pop, but we like it and we have worked a lot with Hip Hop, RnB, and reggae music and Latin music.
Q: Can you share one music production tip?
A: Never be afraid to try new ideas. Put aside all preconceived concepts, so as not to block any creative channel
Q: Which artist would you like to work with and why?
A: With Damon Albarn. Because from its prolificity, never stop looking and create new music, crosses of instruments, ideas, sounds, as well as having composed and composed beautiful songs.
Q: What was your career path? How long have you been doing this?
A: As a work team we started working more than 12 years ago, first sharing musical projects, being part of the creation, composition and performing, and then we gave way to this society as a production studio, dedicating ourselves first to personal projects and participating one of the project of the other, and then opening this society to other projects, creating and forming Bicis Studio!
Q: What advice do you have for a customer looking to hire a provider like you?
A: To look for musicians and producers that are committed to your project, to achieve an enriching feedback of ideas, proposals, sounds.
Q: What questions do you ask prospective clients?
A: What do you expect from your project? How would you like to sound? What instruments do you imagine they sound? What is your project lacking for you?
Q: What's the biggest misconception about what you do?
A: I do not know. But maybe, sometimes, I may be obsessively looking for a sound, or perfection ... when it does not exist ...
Q: What questions do customers most commonly ask you? What's your answer?
A: How we work, and after showing us the project, we ask for opinions, what we would do with it, and then the times. We tell them about approaching the project and begin to feel part, and from there start a feedback of ideas, suggestions, changes, tests, proposals.
Q: What do you like most about your job?
A: The unexpected or the surprise of it, and the artistic challenge before each new project.
Q: What's your 'promise' to your clients?
A: Commitment, search and dedication. They are the premises that we do not negotiate.
Q: Analog or digital and why?
A: Analog fot best quality, deep sound . Digital for "practicality"
Q: What are you working on at the moment?
A: In his moment we are working in a Audiovisual Production of the Rock Band. We are doing the sound design, and Mixing. And We are working en the composition and recording of Sound Track for a Documentary