With broad knowledge of sound production and post-production, starting with music recording, mixing and mastering with various artist in Norway, and my latest specialization in sound for film, I provide top notch services at competitive prices.
Been involved in sound post-production for over 4 years now. Started with working on music as an assistant in a professional music recording studio in Norway and expanded my knowledge to production and post-production sound for film.
Currently, I am a freelance sound engineer and University assistant for sound for film at the state film academy FIOFA.
Contact me through the green button above and lets get to work.
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Interview with Vladimir
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Even though I was involved in an early stage, I am proud of taking part of the Trond Haugmark project My Reverie.
Q: What are you working on at the moment?
A: I am working on a spatial sound design for exhibition.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet.
Q: Analog or digital and why?
A: Hybrid. Because both analog and digital have their own advantages and disadvantages.
Q: What's your 'promise' to your clients?
A: You're receiving a good quality production.
Q: What do you like most about your job?
A: The pleasure while doing it.
Q: What questions do you ask prospective clients?
A: What you want to achieve with your music?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Share the ideas and the result is inevitable.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A Neve console, pair of Yamaha's N10s, Manley Gold Reference, pair of AKG C414 and Korg Kronos.
Q: What was your career path? How long have you been doing this?
A: Being active since 2013.
Q: How would you describe your style?
A: Accurate and precise, with occasional creative turns.
Q: Which artist would you like to work with and why?
A: David Gilmour, because I consider it as the greatest guitar player alive.
Q: Can you share one music production tip?
A: Let the musician "speak" for itself.
Q: What type of music do you usually work on?
A: Mostly I do jazz, rock, pop rock, vocal & world music.
Q: What's your strongest skill?
A: I love to get to a good final mix through very strong audio edit. So, I dedicate significant time to the edit, where I also incorporate part of the mixing process as well.
Q: What do you bring to a song?
A: Quality, pristine sound and ideas - possibly :).
Q: Tell us about your studio setup.
A: All the studio is based around the Pro Tools HD Native, with Pro Tools 2018.1 software. I use Avid S3 surface as a controller and set of Genelec 8050A. From the plugin side, I poses the Waves Platinum Bundle, accompanied by Altiverb.
Q: What other musicians or music production professionals inspire you?
A: As musicians, and quality of music production, I always list Pink Floyd as my personal number one. Also, whenever I need of arrangement assistance for my clients, I turn to classical music such as Rimsky-Korsakov, Mozart, Tchaikovsky.
Q: Describe the most common type of work you do for your clients.
A: I am continuously moving between music recording, mixing, mastering and sound post-production. I do enjoy both branches and I am blessed to have the chance to work both in music and film.