Sound Editing, Mixing & Master

Vladimir on SoundBetter

With broad knowledge of sound production and post-production, starting with music recording, mixing and mastering with various artist in Norway, and my latest specialization in sound for film, I provide top notch services at competitive prices.

Been involved in sound post-production for over 4 years now. Started with working on music as an assistant in a professional music recording studio in Norway and expanded my knowledge to production and post-production sound for film.
Currently, I am a freelance sound engineer and University assistant for sound for film at the state film academy FIOFA.

Contact me through the green button above and lets get to work.

Interview with Vladimir

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Even though I was involved in an early stage, I am proud of taking part of the Trond Haugmark project My Reverie.

  3. Q: What are you working on at the moment?

  4. A: I am working on a spatial sound design for exhibition.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: Not yet.

  7. Q: Analog or digital and why?

  8. A: Hybrid. Because both analog and digital have their own advantages and disadvantages.

  9. Q: What's your 'promise' to your clients?

  10. A: You're receiving a good quality production.

  11. Q: What do you like most about your job?

  12. A: The pleasure while doing it.

  13. Q: What questions do you ask prospective clients?

  14. A: What you want to achieve with your music?

  15. Q: What advice do you have for a customer looking to hire a provider like you?

  16. A: Share the ideas and the result is inevitable.

  17. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  18. A: A Neve console, pair of Yamaha's N10s, Manley Gold Reference, pair of AKG C414 and Korg Kronos.

  19. Q: What was your career path? How long have you been doing this?

  20. A: Being active since 2013.

  21. Q: How would you describe your style?

  22. A: Accurate and precise, with occasional creative turns.

  23. Q: Which artist would you like to work with and why?

  24. A: David Gilmour, because I consider it as the greatest guitar player alive.

  25. Q: Can you share one music production tip?

  26. A: Let the musician "speak" for itself.

  27. Q: What type of music do you usually work on?

  28. A: Mostly I do jazz, rock, pop rock, vocal & world music.

  29. Q: What's your strongest skill?

  30. A: I love to get to a good final mix through very strong audio edit. So, I dedicate significant time to the edit, where I also incorporate part of the mixing process as well.

  31. Q: What do you bring to a song?

  32. A: Quality, pristine sound and ideas - possibly :).

  33. Q: Tell us about your studio setup.

  34. A: All the studio is based around the Pro Tools HD Native, with Pro Tools 2018.1 software. I use Avid S3 surface as a controller and set of Genelec 8050A. From the plugin side, I poses the Waves Platinum Bundle, accompanied by Altiverb.

  35. Q: What other musicians or music production professionals inspire you?

  36. A: As musicians, and quality of music production, I always list Pink Floyd as my personal number one. Also, whenever I need of arrangement assistance for my clients, I turn to classical music such as Rimsky-Korsakov, Mozart, Tchaikovsky.

  37. Q: Describe the most common type of work you do for your clients.

  38. A: I am continuously moving between music recording, mixing, mastering and sound post-production. I do enjoy both branches and I am blessed to have the chance to work both in music and film.

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Nadja Bertelli - Mystery Unsolved

I was the Mixing and Mastering Engineer in this production

GenresSounds Like
  • Amy Winehouse
  • Diana Krall
  • Norah Jones
Gear Highlights
  • Avid Pro Tools HD Native
  • Avid S3 Surface
  • Genelec 8350A
  • Waves Platinum
More Photos
SoundBetter Deal

For mixing of a whole album, I offer 20% off on the mastering.