Recording Engineer

Q: What was your career path? How long have you been doing this?

A: I am an award winning Producer Engineer of Telecommunications and Graduate of Indiana University since 1984 and that path via education has landed me into an independent program called "Hollywood Hoosiers" that I am putting into place at Hollywood California into The Present, 2018.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Currently, I am working on a new album entitled "CITY LIFE!" whereby I hope to feature star talent performers or sell The Record Masters outright to Universal Music Group as The Recording Engineer and The Owner of The Intellectual Property Rights.

Q: What are you working on at the moment?

A: "The Midwest's New Major Record Label!" *Press Release* American Recording Consortium https://www.reverbnation.com/curtismitchell A Mecusa Company Wednesday, May 28th, 2018 3:00 PM EST Mecusa Telecommunications Master Broadcast Satellite Engineering Operations at The Monroe County Public Library Bloomington, Indiana USA International Demographic Marketing Area - (DMA) Press Release: Indiana University Award Winning Producer Engineer of Telecommunications, Curtis L. Mitchell, (BMI), NY hangs tough as a new big time player regarding the development of The Midwest's New Major Record Label, The American Recording Consortium, A Mecusa Company at Michigan City, Indiana linked to Chicago, Illinois USA for international business operations with Wayne Williams, The Senior Vice-President of A&R at RCA Records of Sony Music Entertainment at New York City, New York. Joe Facundo of National Music Publishing is in our corner right now concerning the release of two new hit CD Singles, "Crying Over You" and 'Who's Knocking" from The Forthcoming Album, "CITY LIFE!" In closing, The Producer is currently talking with Hitt Management regarding a submission to Snoop Dog entitled "Days Like This" as well as continued dialogue with Dawn Bray of Bray Consulting Group about Real Estate and Telecommunications Intellectual Properties. The highlight of the project involves the construction of a new 24,750 Square Foot Master Broadcast Studio in conjunction with The dh2w Architecture and Planning Firm for the distribution of a new technology called, "The Direct Telecommunications Digital Network." Copyright 2018 MECUSA All Rights Reserved

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: No

Q: Analog or digital and why?

A: I use a combination of both Analog and Digital Sound Production Engineering Techniques to achieve my ultimate goal for a client's project.

Q: What's your 'promise' to your clients?

A: I do not make any promises, it is not legally binding, instead I make contracts for my services.

Q: What do you like most about your job?

A: The aspect I like most about my job is being involved in new technology.

Q: What questions do customers most commonly ask you? What's your answer?

A: Do you know how to make beats? and I answer Yes.

Q: What's the biggest misconception about what you do?

A: The biggest misconception about being a Producer is that people always think that each time you put a project out you have a lot of money instantly, and it doesn't work like that in reality.

Q: What questions do you ask prospective clients?

A: I usually ask a prospective client what they want to achieve with their product.

Q: What advice do you have for a customer looking to hire a provider like you?

A: I have credentials via Indiana University and I am a rising star Producer Engineer of Telecommunications.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Drums, Piano, Bass, Guitar, Trumpet

Q: How would you describe your style?

A: My style is R&B, Hip-Hop and Jazz all uniquely crafted to assimilate a market sound for today's top artist.

Q: Which artist would you like to work with and why?

A: Beyonce, I believe that I have the next chapter of hit music projects for her related to the market going back to mature sounding records but creating them in the new market sound, a lot of new school music is still really old school in that what is different now is the production process used to distribute records.

Q: Can you share one music production tip?

A: Allows do not add too much Bass

Q: What type of music do you usually work on?

A: R&B, Hip-Hop, Rock, Pop, Jazz

Q: What's your strongest skill?

A: Recording Engineering

Q: What do you bring to a song?

A: I bring dynamics and a sound marketing approach in visualizing how the total package goes together for marketing to the end consumer.

Q: What's your typical work process?

A: Usually, I communicate with my clients to get a feel of their personality and to get an understanding of what they want to achieve regarding their media work all across the board in order to complete a top notch broadcast quality product or service.

Q: Tell us about your studio setup.

A: I work with Pro Logic and Apple Mac.

Q: What other musicians or music production professionals inspire you?

A: Beyonce, Prince, Michael Jackson, Quincy Jones, Jimi Hendrix, Slave, Cameo, R. Kelly, Chris Brown, SZA

Q: Describe the most common type of work you do for your clients.

A: I am working with clients in Media, Engineering, Technology, Architecture, and Executive Management Consulting.