STREETWAV Productions on SoundBetter

Mixing and Mastering that brings out the best of your recordings.

Vocal only mix (with stereo 2 track beat) $100 add mastering for $50

Vocal and Beat mix (individual stems/tracks) $200 add mastering for $50

Stereo 2 track mastering $80

Vocal Tuning $100

Send me an email through 'Contact' button above and I'll get back to you asap.

1 Reviews

Endorse STREETWAV Productions

by G-$rilla
He’s very passionate about his sound and quality , and truth be told he’s One of the Dopest Engineer/Producer in the game ..
You can’t go wrong with these services
I’m a 100 % Satisfied !!

Interview with STREETWAV Productions

Q: Can you share one music production tip?
A: Mixing console faders should only be used for temporary (automated) increases/ decreases in gain or to fade sound in or fade out, hence the name "fader". For constant gain increase/ decrease the "input gain" or "trim" control (knob) should be used instead of fader.
Q: What's your 'promise' to your clients?
A: I promise to always give 200% effort on your project for two reasons 1. Because my name will be attached to it. 2. I enjoy helping my clients take their career to the next level.
Q: What do you like most about your job?
A: I love my job, everything about it, challenges and all. Overcoming challenges is the most fulfilling part when a mix/ master job is complete and the client is satisfied.
Q: What questions do you ask prospective clients?
A: Where did you record the vocals, was it an acoustically treated environment? What type of microphone was used for recording (condenser, dynamic or ribbon)? Did you use an external microphone pre- amp? Did you apply any compression or any other processing to vocals while recording? What sample rate and bit rate did you record and export audio tracks at?
Q: What advice do you have for a customer looking to hire a provider like you?
A: The most important step in the mixing process is having the best possible recording.The better the recording the better the mix and master will be. Recording in an acoustically treated environment, making sure your microphone/ instrument input levels are not clipping (in the red) while recording, proper distance from microphone and use of a pop filter. These are the basic tips I give my clients to help achieve a professional quality mix/ master.
Q: Tell us about your studio setup.
A: Computer - 2013 Mac Pro, DAW- Logic X and Reason 10, Audio Interface - Apollo MkII (Duo), Plugins - Universal Audio (mixing & mastering), Izotope 8 (mixing & mastering), SSL Duende G 4000 master bus compressor & channel strip, Waves Tony Maserati Suite, Studio Monitors - KRK Rokit 5, Headphones - ATH-M40X & Beyerdynamics 770 Pro
Q: What type of music do you usually work on?
A: Hip Hop and R&B
Q: What's your typical work process?
A: First I analyze the demo track or raw audio to determine what needs to be treated. Next I ensure that every audio channel has proper gain staging; afterwards, I apply compression, eq, reverb and delay effects as needed per mix.
Q: What other musicians or music production professionals inspire you?
A: Neptunes, Southside 808 mafia, Outkast, DJ Premier, D'Angelo, Metro Boomin, Jay Dilla
Q: Describe the most common type of work you do for your clients.
A: Locally I record, mix and master Hip Hop and R&B artist. The majority of my sound better clients request my remote mixing, mastering and vocal tuning services