Michael is a mix engineer located in Nashville, TN.
Currently assisting mix engineer Reid Shippen
Currently working out of studios:
• Forty-One Fifteen
• My personal mix suite
I love what I do, and the diversity of music I'm fortunate to work on. I imagine you feel similar about your music, I'd love to hear it and see if I could be a good fit for you!
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
- Josh Noren
- Mountains Like Wax
- Nathan Thomas
- Justin Bryan
- Lainey Wilson
- Dierks Bentley
- Posey Pike
- Madison Parks
- Ty March
- Mile Twenty Four
- The Saint Johns
- Chasing Lovely
- Cort Carpenter
- Lazy Jane
- The Soulfeathers
- PJ North
- KAYLEE ROSE
- Ross Ellis
- Made In Network
- Karysa
- Isaac
- Kenny Chesney
- Hannah Dasher
- Zac Brown Band
- Eric Paslay
- Alisan Porter
- David Ryan Harris
- Tyler Braden
- Toby Keith
- Newsboys UNITED
- BETCHA
- Disney World
- Disney Tokyo
- Hollier
- Ian Munsick
- Parker McCollum
- The Cadillac Three
- Hudson Moore
- Kelleigh Bannen
- Muscadine Bloodline
- Carolyn Miller
- Chris Ruediger
- PJNorth
- Megan Golden
- lanco
- Dawson Edwards
- Brad Paisley
- Hailey Whitters
- Paige Nichols
- Jelly Roll
- Erin Kirby
- Brailey Lenderman
- Common Noble
- The Band Camino
- angsty
- kaitlin butts
- Alexis Donn
2 Reviews
Endorse Michael MechlingI started working with Michael shortly after moving to Nashville. I was always proud of my music before but Michael produced and mixed all of my projects since 2018 and it changed my entire outlook on how a song of mine should sound. He’s always professional, willing to help with stupid questions I ask, and always delivers the best sound. His ability makes our music sound expensive! I am a firm believer my music career has grown because of Michael and his ability to bring out the best in what we are doing.
I have been working with Michael since 2019 and we have done over 15 songs together. You don’t get a better musical partner/teammate! He works incredibly hard and is a man of his word. Michael is a team player and really cares that his clients are 100% satisfied with the final product. Look no further! He’s your guy.
Interview with Michael Mechling
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recorded and mixed The BAND CAMINO's VEVO Original performance. https://www.youtube.com/watch?v=KvHGvjhuVNI
Q: What are you working on at the moment?
A: an EP
Q: What's your 'promise' to your clients?
A: I will tweak until your heart is content
Q: What questions do customers most commonly ask you? What's your answer?
A: When can we have a mix back? When do you need it?
Q: What questions do you ask prospective clients?
A: Is the tracked edited and tuned?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I guess if we're limiting ourselves to analog audio gear: V76 1176 Laptop ATC's U67
Q: What type of music do you usually work on?
A: Indie Rock with a heavy dose of Pop/Country
Q: Tell us about your studio setup.
A: I have three: Forty-One Fifteen is a modern home studio on the east side of Nashville. All outboard gear, great conversion, great mics, smaller rooms: Fortyonefifteen.com The ShoeBox is more your typical commercial Nashville studio, with a ton of vibe. Cage The Elephant just recorded here. Vintage mics and instruments, Neve VR, Burl Convertors, Atomic Instrument Co. speakers. My mix suite at my house is a hybrid: ATC's, Universal Audio REV B, dbx, api, pultec equipment on inserts for Pro Tools, with an analog 2-bus chain (if needed).
Q: Describe the most common type of work you do for your clients.
A: Most of my clients hire me to mix. A large other percentage of my work comes from co-producing projects.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet
Q: Analog or digital and why?
A: Both, because the argument is moot. Huge advantages to both, I tend to think the combination works pretty well.
Q: What do you like most about your job?
A: its what I love, and the variety of music
Q: What's the biggest misconception about what you do?
A: that its easy
Q: What advice do you have for a customer looking to hire a provider like you?
A: Lets have a conversation constantly, the more I know you and you me, the better the result
Q: What was your career path? How long have you been doing this?
A: School, intern / assistant all while freelancing studio and live gigs repeating the post school process.
Q: How would you describe your style?
A: BOLD
Q: Which artist would you like to work with and why?
A: Kacey Musgaves, because Kacey Musgraves. Really because its always amazing songs, with amazing musicians tracked at amazing studios, with amazing people the whole way around.
Q: Can you share one music production tip?
A: think less, listen more, and guitars are always green
Q: What's your strongest skill?
A: Listening
Q: What do you bring to a song?
A: I typically pickup where the producer left off. This varies widely in genre. For example, with rock music I bring a long of harmonic distortion and aggression that the band/producer wouldn't normally have at their disposal. With pop and country mixes, its a lot of the same plus maybe some production elements that the producer missed or ways to make sections hit a lot harder etc.
Q: What's your typical work process?
A: Setup the song, mix the song
Q: What other musicians or music production professionals inspire you?
A: Reid Shippen Vance Powell Michael Brauer
- Mixing EngineerAverage price - $450 per song
- Mastering EngineerAverage price - $100 per song
- Recording StudioAverage price - $700 per day
- EditingAverage price - $75 per track
- Vocal compingAverage price - $50 per track
- Vocal TuningAverage price - $100 per track
- Post MixingAverage price - $200 per minute
Contact for details!
- RND 5059
- Burl ADC
- Red3
- UA 1176 REV B (Blue Stripe)
- API 2500
- Urei 1176 (rev F)
- Urei LA3A’s
- Chandler RS124
- Retro 176
- CL1b
- Fatso
- LA2A
- PMC
- 1178
- so much more
Possible Discounts for more than 2 songs