I am a perfectionist and I'll do whatever it takes to make sure you're satisfied.
I have been producing and writing music for over 10 years.
I have worked with many independent artists and also produce music for TV advertisement.
I work mostly with commercial music including pop, electronic and rock.
As a producer I will help you with your arrangement, structure and play different instruments if necessary. I can make a full production around a song idea.
If you're in Oslo then you are welcome to come round to my studio to record! If not, I can work remotely and still produce that radio-ready sound for your song(s).
All work is done from my top of the range studio in Oslo, meaning that artists will get radio quality recordings and mixes.
I will mix and master your songs whether we have collaborated on them or they are fully recorded elsewhere.
I include mixing and mastering in every project I work on, using top of the range plugins and equipment.
I work for a fixed fee and do not ask for shares of copyright / royalties which means that you own 100% of the production (work for hire)
Remember that I am here to help you as your success is my success!
Contact me through the green button above and lets get to work.
Send me a note through the contact button above.
Interview with Kevin Abadie
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Some years ago, as a sound assistent in Studio Ferber, I worked on the recording of a french artist called Sanseverino. It was my first real studio session, where I got the opportunity to step out of the shadow and take part in the recording process. I was proud of me mostly for doing it, because as a beginner, this can be a bit intimidating. I was setting up the microphones, working the cables and the patch bay and got the chance to help the mixing engineer.
Q: What are you working on at the moment?
A: Working on a pop song production that is aimed for a TV commercial.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet but the moment I will, I won't hesitate to recommend that person if he/she is worth it!
Q: Analog or digital and why?
A: Digital because we live in 2018 and digital has become more than good enough !
Q: What's your 'promise' to your clients?
A: To always listen what the client has to say and to be honest in my choices and decision.
Q: What do you like most about your job?
A: I like the mixing craft. The creation and development of an idea always amaze me and makes me happy.
Q: What questions do customers most commonly ask you? What's your answer?
A: What is the price ? I usually answer " let's talk about it later, but first let's discuss your project".
Q: What's the biggest misconception about what you do?
A: People tend to think that I only do mixing. There is more than that, I can help clients to produce and enhance their projects.
Q: What questions do you ask prospective clients?
A: I am always curious to know the clients vision, where he/she wants to take the project and how. I am interested in the feelings and emotion the clients wants to convey. Then when all is said, we can talk business.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I would recommend to take time to discuss everything in detail and share a vision before starting to work.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1. Gibson Les Paul 2. Fender American Precision Bass 3. Taylor acoustic guitar 4. Slate ML-2 mic 5. A good computer full of audio programs
Q: What was your career path? How long have you been doing this?
A: I have been studying sound-engineering in Paris, France for 3 years. I have worked as sound assistent in 2 of the most renowned music studio of Paris : Studio Davout and Studio Ferber. I also worked in France Television where I learned more about audiovisual. After obtaining my bachelor degree in sound engineering and audiovisual I moved to Oslo, Norway, where I started working as a freelance sound engineer. I did a lot of work with tv commercials as a mixing engineer. Then I created my studio, Polaroide Studio in the city center where I now work with music production and mixing mainly.
Q: How would you describe your style?
A: Pop, rock
Q: Which artist would you like to work with and why?
A: Artists like Adele and Bruno Mars because they have among the best production that we can find nowadays, so it is a pleasure to mix.
Q: Can you share one music production tip?
A: Sidechain and parallel compression are our best friends.
Q: What type of music do you usually work on?
A: Everything from pop to rock
Q: What's your strongest skill?
A: Mixing fast and guitar playing
Q: What do you bring to a song?
A: When composition is needed, I am a long trained guitar and bass player. In addition i am in contact with talented piano player that can help us with some fine melodies too. Then the mixing part will bring out the best of your song.
Q: What's your typical work process?
A: Recording tracks if there is need for production. Then cleaning up the session and start mixing. Over the last year I started working with the "Top-down mixing" technique which allows me to mix faster. Then sending my first mix to the artist and see what needs to be modified until everyone is happy.
Q: Tell us about your studio setup.
A: In Polaroide Studio, I mix in the box using both Protools and Cubase(/Nuendo) depending on the project. I mix through a PrismSound Orpheus sound interface and Genelec monitors. When it comes to plugins, Waves, Kush Audio, Slate Digital, Klangheim will be the main ones. I track guitars and bass using Fractal Audio products.
Q: What other musicians or music production professionals inspire you?
A: I am inspired by mixers like CLA, Mick Guzauski, Tom Elmhirst and musician/producer like Mick Ronson, Bruno Mars, Adele, Jamiroquai...
Q: Describe the most common type of work you do for your clients.
A: I do mainly mixing and production/arrangement for your tracks.
- Mixing EngineerAverage price - $75 per song
- EditingAverage price - $40 per track
- Production Sound MixerAverage price - $150 per day
Each project being unique, get in touch to discuss terms.
- Universal Audio
- Genelec
- Tascam model 15
- Slate digital
- Waves
- Soundtoys
- Audio Ease
- Lexicon