Dom Howard Music

Bespoke Composer & Producer

Dom Howard Music on SoundBetter

Award-winning Bespoke Composition & Production with London studio.

Dom Howard has been writing, producing and performing music since 2001. Since his early releases in 2007 on Ranking Records, he has gone on to release on Deep Medi, Hospital, Tectonic, Circus, Navy Cut and Counter (Ninja Tune) among other labels. His performances have taken him on live & DJ tours across the world as Ruckspin, one half of Author, and as producer/engineer for Submotion Orchestra.

Dom's production and mix engineering skills have been in demand from independent clients such as Troumaca [Brownswood], Equals [Fresh Selects] and Alex Clare [Universal / ETC]. He has recently contributed to post-production on projects from XOA to Peng Shui, and has started a new project creating lo-fi dub-techno as Leo James.

Dom also composes bespoke work for production libraries and a range of other clients. He has fulfilled briefs for NinjaTune (JIM), Multiverse, EMI, and Edition Peters, ranging from classical compositions to ambient electronica, from film trailers to award-winning music for corporate clients.

Would love to hear from you. Click the contact button above to get in touch.

Credits

AllMusic verified credits for Dominic Howard
  • The Jaded Hearts Club
  • Muse
  • Muse
  • Alex Clare
  • Meek Mill
  • Nach
  • 2Cellos
  • Muse
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  • Bryson Tiller
  • Jeezy
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  • Rockabye Baby!
  • Vicky Cryer
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  • Renée Fleming
  • Renée Fleming
  • String Tribute Players
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  • Vitamin String Quartet
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  • Jamie Benson
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  • William Joseph
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  • Fatboy Slim
  • 8-Bit Misfits
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  • The Hit Crew
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  • Joe Deninzon
  • Jessica Brando
  • Midnite String Quartet
  • The Piano Tribute Players
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  • Frank Turner
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  • The Cat and Owl

Interview with Dom Howard Music

  1. Q: What's your strongest skill?

  2. A: Combining experience and technical skills from the electronic and dance music world with compositional and practical training and refinement from the classical and scoring world.

  3. Q: Tell us about your studio setup.

  4. A: Small but perfectly formed, meeting all the needs of a modern production project - from the perfectly acoustically treated sound-proofed room to the choice items of outboard such as the stereo pair of Empirical Labs Distressors.

  5. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  6. A: Being the producer for Submotion Orchestra has been quite a ride. Mixing front-of-house for 10 years with them has had me mixing in venues all around the world from the Royal Albert Hall to a Roman amphitheatre in Croatia. Working with Ninjatune on some of their big projects has also been a real highlight for me.

  7. Q: Analog or digital and why?

  8. A: Both have strengths and weaknesses - it's all about the needs of the client and the project. If you need flexibility, digital is the way to go. If you want character and feel, then it's a lot more important to break 'out of the box'.

  9. Q: What was your career path? How long have you been doing this?

  10. A: Training in classical music since age 6, then being drawn to the electronic side of production age 14, I've now been working in the industry professionally for over 15 years.

  11. Q: How would you describe your style?

  12. A: Soulful electronic music with plenty of bass and classical/jazz influence.

  13. Q: What type of music do you usually work on?

  14. A: Cinematic Electronic Downtempo

  15. Q: Describe the most common type of work you do for your clients.

  16. A: Bespoke Production & Mix Engineering

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Espionage by Dom Howard & Phil Joannides

I was the Composer & Mix Engineer in this production

GenresSounds Like
  • Submotion Orchestra
  • Author
  • Ruckspin
Gear Highlights
  • UAD Apollo
  • Neumann KH310 (pair)
  • Adam A7x (pair)
  • Empirical Labs Distressors (pair)
  • Warm Audio WA76 compressor
  • Stam 1073 Preamp
  • Korg MS20
  • Access Virus TI2
  • Behringer Neutron
  • NI Komplete Kontrol S88
  • Audeze LCD2 Headphones
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