Mixing & Mastering Engineers, Producers & Songwriters who worked with Donnie Fritts
I make soulful records with great people who are wonderfully unique musical souls. My speciality is old school soul music and anything that's rootsy and organic. I'm your guy if you love the great records coming out of Muscle Shoals, Memphis and New Orleans. I'm at home at the crossroads of analog and digital. Let's get in the groove together!
Hey, I'm Mark! Here for all of your production needs - from writing to instrumentation, scoring, mixing, or mastering. I learned the ropes in high-school, releasing two albums before heading to the Shoals to intern with Single Lock Records where I worked as a recording engineer for Ben Tanner (Alabama Shakes) and John Paul White (The Civil Wars).
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I am an established pop topliner, recording engineer, and vocalist--I have sold a beat to Nicki Minaj, I've been an advisor to Ingrid Michaelson's team, I've been an engineering assistant to Young Guru (Jay-Z's Engineer) have worked with 2x Grammy-Winner Kendra Foster, & have garnered over a million+ streams under Kendra Foster & my solo records.
Eight #1 singles on South African radio and a win at the International Songwriting Competition within the last two years. Mixes and masters heard on radio stations around the world. Let's make a sick record together.
Courtney Odom is the perfect Singer-Songwriter, Composer, Producer, Mixing & Mastering Engineer, &/or Powerhouse Vocalist for your next project! She can do it all. Her recent project, The Soundtrack For "The Woman Who Robbed The Stagecoach" is a great example of her abilities and is up for multiple awards.
Whether your work is inches from the finish line or you just can't figure out why your chorus falls flat, my office is open for appointments. I specialize in writing and mixing for indie rock/electronic, singer-songwriter, and chamber pop, but the fun lies in my eclectic experiences.
I am here to make your music sound better.
Productor de beats de trap/hip hop
Original music for your project from start to finish. I collaborate with directors through each step of the process to ensure they get exactly what they envisioned when they first thought about the score for their project. John's score for "Shadows of Life" won "Best Original Score" in the ATL 48hr Film Festival in 2019.
Mixing and Mastering Engineer with 20 years experience.
Recent Successes
"Aaron was fantastic. He was able to deliver the mastered track within one business day for a tight deadline and was able to deliver a high quality track back. He uplifted my track and was able to clean up some of the..."
"Only listening can you understand how great this engineer is. ANDRES MAYO will be my mastering engineer for the next few years. Point blank. Gotta let the people know."
"Dan is the real deal, a great fiddle player."
"You won't be disappointed with Seb's work! He's a master at what he does. Thanks, again!"
"Mariami brought life to my track . her vocals gave my production direction , vocals you can feel . A writing style to remember . Extremely professional and courteous. I look forward to another great project with her ..."
"Darren does GREAT work. He took great care of me throughout the mixing process. He let me virtually listen in to his mixing real-time and give feedback, which made everything so quick. Has an awesome ear and knows wha..."
"Gideon rocks!! This time around we had a heavier song with a thrashy breakdown, that wasn't recorded to a click. Gideon nailed it. The stems were super tight and we had the vibe we wanted. We highly recommend Gide..."
"I requested Oscar time align, mix & master my first song; It was my 1st visit to SoundBetter, so didn't know what to expect, was hoping for an improvement, but didn't want to overly expect either. Oscar exceeded my e..."
"Paul is a Great engineer to work with. Easy communication and very understanding of ones wants and needs. Can only recommend!"
"Ed was a joy to work with, easy to communicate with and top notch results."
"Multiple repeat customer... Love his work."
"Great communication. Nate did his part and gave me a few variations of drum tracks. I feel his drums gave the track a lively feel, and that extra 10% that programmed drums can't give you. Recommend!"