Mixing & Mastering Engineers, Producers & Songwriters who worked with Destination (ORM)

Mixing. Mastering, Production - Abydos Studios
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Long time music producer and mix engineer. Cut my teeth on rock&roll in the '70s. I've produced everything from traditional folk to metal.

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We Make Music - DAMJR

Full range music production services for artists with a vision.

mix engineer - soundlike BRUNO

If you want to push the boundaries of sound I am the right guy for you.

Dj\Producer\Mixing&Mastering - Marnage
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We are Music Producers from Palermo, Italy. We have produced various tracks ranging from Big Room,Progressive House, Psytrance,Hardstyle,Future Bounce,Trap, Pop etc. We have had multiple worldwide releases under various international record labels including Revealed Recordings, Quartzo Records,2-Dutch, Peak Hour Music etc...

U.S. Charting R&B Producer - Soal
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Produced for: Atlantic, Armada, Escape Tracks, Creative Music Group, AIA, Tory Lanez, Andrew Rayel, J.O.Y, and more.

Remote Mixing, Music Producer - Adam Selzer
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Mix Engineer, Record Producer, founder of Type Foundry Recording Studio (since 1998). I've worked with M. Ward (recording/mixing/touring for over 20 years), Peter Buck (REM), Blind Pilot, Laura Gibson, Peter Broderick, and hundreds more. I have just built a fantastic sounding dedicated mix room from the ground up. I love analog gear & great songs.

Viola/Violin, String Quartet - Rita
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Hello! I play viola and violin with many experiences in studio sessions ranging from classical to pop genres. Happy to receive compositional direction or arrange string parts for you. Member of ATLYS string quartet, also available for hire as a group!

Producer/Mixer - Robbie Moore

I’m an English Producer/Mixer/Multi-Instrumentalist, with a residential studio just outside Malmö in southern Sweden. With 25 years experience running studios, writing music for film/TV and recording artists from a variety of genres, I specialise in producing entire tracks from scratch using my huge collection of vintage and modern studio toys.

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