Mixing & Mastering Engineers, Producers & Songwriters who worked with Abi Clements

Mixing Engineer - Scot-T (RO-LORE)
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I am a producer, audio/mixing engineer, multi-instrumentalist and songwriter! I take a creative approach to mixing your songs, experimenting to get the most out of the track and carefully utilising unexpected elements to really elevate your music. I also offer podcast editing and mixing, and options for high-quality podcast recording.

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Mastering Engineer - Manuel Scaramuzzino
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I have more than 20 years of experience in the music industry. I have been working with producers, bands, artists, and record labels from all over the world to ensure they could confidently release music to industry standards. I got specialised in mastering Reggae, Dub, Dancehall, Jazz, Hip Hop, NeoSoul, Soul, and Pop.

Producer/Engineer - Spitfire Mixing
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Certified german mixing and mastering service to please your ear canals.

Male Pop Singer - Kristian
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Top Credits : On & On Rolled Up Good Shit (On The Counter)

Rapper - Gosh Da Reel

Three time Official European Independent Music Chart topper. Zim Hip hop's Most Internationally Decorated Rapper. Nominated in the the category with Lecrae and Fred Hammond at the 2018 GXMMA Awards in UK for Best International Artist Of The Year

MIXING & MASTERING - Stephon Stevens

I am Certified in Audio Engineering & Mixing/Mastering.

Mixing & Mastering Engineer - NickMakeNoise
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Want your music to cut deep? Want your music to make the car shake? Want your music as smooth as butter? You came to the right place. I mix and master pop, hip-hop, rock, electronic, metal, country, folk, and everything in between.

Audio Engineer, Bassist - Rj Dread

Highly skilled and versatile Bass player and Audio engineer with a passion for creating exceptional music and delivering outstanding sound quality. Seeking opportunities to contribute my expertise and creativity to a dynamic and innovative musical environment.

Session guitarist  - Adam Wolfaardt

I believe great guitar tracks start with the player, the instrument, and the amp. I record real amplifiers with microphones and focus on creating parts that serve the song rather than showcasing technology. My goal is to capture a guitar sound that already feels like a record before the microphone signal reaches the DAW

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