Tom Brazier

Remote Mixing & Audio Editing

starstarstarstarstar
2 Reviews (2 Verified)
Tom Brazier on SoundBetter

Specialising in Neo-Classical music. I can mix your music or am open to discussions if you want enhancement to your tracks. I also offer audio editing to get the most from your music or podcasts.

I'm a music producer and mixing engineer, specialising in neo-classical music but also master tracks of any genre. I graduated from Leeds College of Music and worked on remote recording as well as ambient music. I'm classically trained in the Piano, Clarinet and the Saxophone.

Send me a note through the contact button above.

2 Reviews

Endorse Tom Brazier
  1. Review by Jordi F.
    starstarstarstarstar
    check_circleVerified

    Great engineer, easy to communicate and he did extra to actually follow my desired sound. 100% recommended. Jordi

  2. Review by Studio 6
    starstarstarstarstar_border
    check_circleVerified

    Tom was great at getting you to the sound you are looking for and can get the tracks the way you want then to sound as a final product.

Interview with Tom Brazier

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I recently produced an ambient track with solo electric guitar that got played on BBC Introducing which I both composed and produced

  3. Q: What are you working on at the moment?

  4. A: I am working on my own Neo-Classical album as well as a collaboration on a new single with Arrowsmith

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: No

  7. Q: Analog or digital and why?

  8. A: Digital because I don't have the money to afford analog gear

  9. Q: What's your 'promise' to your clients?

  10. A: My promise is that I will make unlimited edits at no extra charge

  11. Q: What do you like most about your job?

  12. A: I love the creative freedom and ability to mix new music every day

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: What have you previously worked on?

  15. Q: What's the biggest misconception about what you do?

  16. A: Classical music has to sound old and can't contain modern effect processing

  17. Q: What questions do you ask prospective clients?

  18. A: Have you released in the past, so I can hear what their previous release quality is in the hope I can match or improve on it

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Communicate what it is you're after and don't be afraid to ask for edits

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Sennheiser Headphones, Yamaha HS5's, Zoomh1, iPod shuffle & upright piano

  23. Q: What was your career path? How long have you been doing this?

  24. A: My career plan is to work part time as a freelance producer and mastering engineer before setting up my own studio for musicians and disadvantaged children

  25. Q: How would you describe your style?

  26. A: My style is neoclassical and ambient

  27. Q: Which artist would you like to work with and why?

  28. A: Freya Ridings because of her unique voice and how well it blends with the piano

  29. Q: Can you share one music production tip?

  30. A: Trust your instinct

  31. Q: What type of music do you usually work on?

  32. A: I usually work on orchestral soundtracks or ambient Neo-classical tracks

  33. Q: What's your strongest skill?

  34. A: My strongest skill is mixing and mastering piano

  35. Q: What do you bring to a song?

  36. A: I have had a lifelong love of classical and orchestral soundtracks which I like to draw upon to add a new lease of life to my clients tracks

  37. Q: What's your typical work process?

  38. A: I typically mix or master the track using my own ear and the clients instructions and then I go back and listen to reference tracks to make a few final changes

  39. Q: Tell us about your studio setup.

  40. A: Yamaha HS5's, Logic Pro X

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Olafur Arnalds, Otto Totland, Bing&Ruth

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I mostly mix and master classical, neoclassical and orchestral music for my clients

Terms Of Service

Unlimited revisions for free, 1 week turnaround time and no additional costs

GenresSounds Like
  • Arrowsmith
  • Carmen McLean
  • Billy Lubach
Gear Highlights
  • Yamaha HS5
  • LogicX
More Photos
More Samples